The Runaways, 1947

Causey, New Mexico, was a dot in the road.  Pavement from nowhere to nowhere running between a scattering of frame houses, a small roadside store and gas station.  A rock schoolhouse, a church, and a few rusting hulks of worn out farm machinery in the weeds. http://www.ghosttowns.com/states/nm/causey.html

Our cottage was on the same side of the road as the schoolhouse.  Most of the village was on the other side, including the windmill across the road from our house where my sister and I went for water and carrying the bucket between us to tote it home.

To my tiny, four-year-old mind, the center of town was the store, diagonally across the road, to the left of the windmill.  Everything of importance happened there.  Cars from other places stopped for gas.  The store had Milk Nickles.  Ice cream on a stick, covered with chocolate.  Pure heaven that didn’t come often.

If the store was heaven, behind our house was hell.  The toilet.  A ramshackle tower with dust flecks floating in the shafts of light that came through the cracks between the boards, light coming through underneath where the ground had caved away from the wall.  Home of black widow spiders and the occasional rattlesnake.  The place was a chamber of terrors for me.  I was always certain I’d fall through the hole to the horrors beneath when I used it.

Our little cottage had two rooms.  A sort of kitchen, living area in front also had a little counter where my mom tried to operate a little variety store.  Keychains, trinkets, a handkerchief or two.  Things that wouldn’t be found across the street at the store.

She was also a seamstress.  Most of my memories of that time include her huddled over a treadle sewing machine working on the felt curtains she was making for the stage of the school auditorium.  Mom was a woman twice divorced.  In 1947, that was no small thing.  In that time and place broken marriage was considered to be the fault of an untrained, unskilled, unwise, probably immoral woman.  Two divorces, three children, and no resources made my mother the subject of mistrust by the woman of the community, and disdain by the men.

Memories have probably faded and altered with the half century since all this happened.  The perspectives of a child plagued with fears and insecurities seem real in my recollections, but they, too, have probably been twisted with the turns and circles the planet has made around the sun; with the endless webs of human interactions, relationships formed and ended.

My sisters went to school in that village.  Frances, my sister who died a few years ago, must have been in the second grade.  Becky, maybe in the 5th.  I hung around doing whatever preschoolers do in that environment when everyone else is busy.  I have flashing memories of standing by the road throwing rocks at cars; trying to get the little girl down the road to show me her ‘wet-thing’.

I remember being lonely; of wishing aloud my mom would give me a little brother to play with.  “I wish I could,” she’d reply, “but you tore me up so much when you were born, I can’t have any more kids.”

That trauma of my birth was a favorite theme of my mom.  She was fond of telling me how the doctors were long arriving when I was ready to be born;  how a nurse and my dad held her legs down so I couldn’t emerge until the proper people were there.  How it damaged her insides and caused her to have to undergo all kinds of surgery later.

I recall I felt pretty badly about that.

During harvest season it seemed to me the entire community turned out to work in the fields.  We’d all gather in the pre-dawn at the store, then ride together to the cotton fields in the back of an open truck.  Mom and the girls were all there, along with the neighbors and some of their kids.  Two of the kids were about my age:  Wayne and Sharon Landrum.

In retrospect I doubt we preschoolers helped much.  My mom had put a strap on a pillowcase and promised a Milk-Nickle every time it was filled.  This was probably more to keep me busy and out of trouble than it was to pay for the ice cream bar.  I can’t imagine that a pillowcase would have held the ten pounds of cotton it would have taken to pay a nickle.

The lure of sweets weren’t sufficient to occupy smaller kids, I suppose.  There came a time when Wayne, Sharon, and I wandered off from the field.  At first it was just to take a walk, but the road was long and we must have made some turns.  Before too long we’d gotten so far from the farm we didn’t know the way back.  We were frightened and kept moving.

In the end we found the lights of a farmhouse sometime after dark.  The family brought us inside and fed us something.  We sat around a stove trying to keep warm until some of the searchers came and picked us up.

In the morning at the store all those field workers who’d had to lose part of a day of wages wanted vivid descriptions of the spankings we got.  They wanted to make sure.

That was my first experience with running away, at least on my own part.  My mom had done some of it, running away from my dad and her second husband.  My dad had done some of it, letting his kids go off, first to Arizona into the shelter of a brutal, drunken step-dad, then into the shack in Causey.

Old Jules

Johnny Cash– In Them Old Cotton Fields Back Home

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10 responses to “The Runaways, 1947

  1. Old Jules, you can flat out use a quill. Beautiful. Absolutely beautiful.

  2. Morning Cletus. Thanks for the visit and kind words.

    The truth is a lot of memories mostly write themselves without much intervention from me. I’ve probably done a lot of reflecting on such times over the decades trying to understand how I got here [wherever 'here' was at the time] from there.

    Hope your day’s a good one.
    J

  3. You’ve described an upbringing not entirely unlike my own, the location being the chief difference. We had an outhouse ’til I was about ten, with a pump on a platform above the well. I have the same experience, my stories almost tell themselves. But, you do have a way with a pen. Thanks for writing this down, for telling this story. I hope you’ll do more. It’s good to recall who we’ve been, and who we are, and how they fit together.

  4. Jules, speaking of outhouses, I’m archiving some of my creative writing at my place. Scroll down until you reach the story “Prospectors”.

    http://thebookofcletis.blogspot.com/p/creative-writing-of-jerry-richardson.html

  5. I appreciate you, Teresa E. Thanks again for the visits and kind words. I’m humbled reading your blog, love it.

    Gracias,
    J

    Hi Cletus: That’s a nice piece of writing. I especially enjoy scrutinizing the way authors handle the awkward matter of dialogue. Yours serves you well. Thanks for the link and opportunity to read it.

    Gracias,
    J

  6. Cletus: If you don’t get a second comment I made on the Goldwater piece telling you about a problem attempting to post on your outhouse diggings one let me know. My comment wasn’t important, but I think you’ll want to know about the dead button.

  7. I fixed the comment button, Jules. I’m gradually adding my writing to this page. The Patrice and Stumpy characters are mine as well as the Wizard of Ahs allegory. Thanks for visiting.

  8. Comments NOT fixed after all. Jules, if you search the story at my place, you can comment where it originally appeared on the blog. No big deal but I do admire your writing and respect your opinion. Here’s a short piece of creative non-fiction you might enjoy. It was an interesting evening to say the least.

  9. Thanks Cletis: Actually I went back there and left a lot longer set of ramblings about historic human body wastes and such than I intended. But that was at the link you provided a couple of comments earlier. You didn’t leave a link on this last one so I wasn’t certain which you were referring to.

    Thanks for the visit and the kind words.

  10. Wow. We lived in Carson, NM back in the early 90′s for a year. This takes me back there in a flash! So glad I’ve seen this blog – I’m going to put it in my blogroll, and hope to get back here soon to read more. Nice writing, nice blog.

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