Tag Archives: Events

The planetary hurricane plague cry for mitigation

Good morning readers.  Thanks for coming by for a read this morning.

You won’t be seeing this anywhere else because of the conspiracy of silence and the failure of global governments to take responsibility for what man is doing to screw up the weather on the planet Venus.

Mystery on Venus: ‘Super-Hurricane’ Force Winds Inexplicably Get Stronger

http://weather.yahoo.com/mystery-venus-super-hurricane-force-winds-inexplicably-stronger-104226704.html

The howling, hurricane-force winds of Venus are blowing even faster lately, and scientists aren’t sure why.

Average cloud-top wind speeds on Venus rose 33 percent between 2006 and 2012, jumping from 186 mph (300 km/h) to 249 mph (400 km/h), observations by Europe’s Venus Express orbiter show.

“This is an enormous increase in the already high wind speeds known in the atmosphere,” Igor Khatuntsev of the Space Research Institute in Moscow said in a statement. “Such a large variation has never before been observed on Venus, and we do not yet understand why this occurred.”

If you’re like me you’re naturally deeply concerned about this claim it’s not yet understood.  What’s happening on Venus is plainly and simply the result of something else man’s doing.  Attempting to shirk responsibility is merely an attempt to avoid changing our behaviors causing it.  Whatever it is that man is doing to cause those winds on Venus to skyrocket needs to be identified, then curtailed.

We owe it to ourselves, and we owe it to the solar system to recognize that anything unexpected happening on a planetary scale anywhere can’t help being a consequence of something human beings are doing.

Even though nobody understands the specifics of those Venus wind changes a good place to begin correcting it would be for people in Indonesia to put out those damned forest fires and quit playing with matches.  After that we need to reduce the size of the roofs on our dwellings and paint them black so’s they absorb sunlight instead of reflecting.

Likely it won’t do any good insofar as the wind speeds on Venus, but at least we’ll be doing something and will be able to feel better about ourselves.

Remember where you heard it first.

Old Jules

Can’t go back to Constantanople

Good morning readers.  Thanks for coming by for a read this morning.

Last night Rich called and during the conversation he mentioned the Turks are trying to resolve differences of opinion he doesn’t know what are.  Evidently their methods of persuading one another have drawn some attention.

I swan.  Those Turks are always full of surprises.  One day they’re running around everyone wearing a fez, next day wearing a fez is a criminal offense.  They sit off there during WWI looking as though they’re just some little country getting in the way of progress, end up whipping the socks off the entire British Empire. 

Everything went so bad the history writers for WWI barely allowed Turkey into the history books because of them not getting the socks whipped off them the way they were supposed to.

So, what then?  City goes along being Constantanople 15 centuries or so, centerpoint for crusaders, Byzantine Empire, home of Janisaries [some of the more dedicated empire builders in human history] and the Cold War comes along, suddenly they’re Istanbul and more-or-less European. 

Best just leave the whole matter alone.  As the Four Lads observed in 1953, it’s nobody’s business but the Turks.

Reincarnation – Life after the evidence locker

dodge powerwagonWhen I came across this picture on the web a while back I was fairly certain I recognized it.  I believed and still believe it’s the truck belonging to the man and wife wood cutter couple murdered in Catron County, New Mexico while I was working Fox Mountain.  An incident I described in loving detail in the Adams Diggings book.  They were found several months later, a bear having dug them up where they were folded yinyang style into a 4’x4’x4′ grave in an ancient ruin site.

Damn I love that truck.  Nothing sissie at all there.  A guy could drive that thing around just about anywhere he might wish to go.  It’s been pre-disastered so the odds of anything bad happening in it would be nil.

Symbiopatriosis – the 21st Century Killer Disease

Military Industrial Complex

20th Century had its share, though.

The Yosarian syndrome.  Bastards are trying to kill me!  They’re trying to kill me every time I go up to drop bombs on them.

Support this current war because our soldiers got killed trying to invade them.  Can’t let the troops down.

How’d we get here from there? Was it Chopstickson?

Chopstixon2

If you are like me you probably sometimes wonder how we got where we are today.  All of us so petty, venal, unimaginative, lazy, shallow, wasteful, ethnocentric, egocentric, polarized, gullible, compromised.  How did we get here, I asks myself and the cats.

Who was responsible?  Was it Chopstickson?

No, I sagely answers myself.  It wasn’t.  Chopstickson was just one of our elected leaders.  The reason he was elected was that he was a mirror-image of the majority of US citizens.  He was what we were and we were him.  And Chopstickson was a lowlife scum.

Same as LBJ when he went for re-election when his term ended after having JFK shot.  Same as JFK and his brothers were.  Ad infinitum with all of them except Gerald Ford and Jimmy Carter, since then.

The reason elected chief executives and other elected politicians are scum is that the electorate elects itself into office to run this country, and the electorate is all the things we’ve come to be.  All we have ever been.

As with all peasants, serfs, slaves, we love aristocrats and elect them, their families, their progeny to office to do what we’d like to do if we were aristocrats.  Namely get richer.  With representative democracy the main difference is we elect the ones most like ourselves.

Kings, Stings, Forgotten Stinks, Sungs and Stungs

Thanks, Mr. President
For all the things you’ve done
The battles that you’ve won
The way you deal with U.S. Steel
And our problems by the ton
We thank you so much

Before they decompose in the grader ditch.

Honest! It just fell!

The ugly?

A touch of class

That gall bladder used to be right THERE.

Mexican Standoff in Chinese

Tanked in China

A sobering night for Ted Kennedy, but Mary Jo couldn’t swim. He bounced back, though not so high as previously expected. She didn’t.

Tanked in Martha’s Vineyard

The song has ended but the malady lingers on

Tanked elsewhere.

When Cuba still seemed nearby

The Last Roundup

Who ARE these guys?

Party animals

Hi! I’m king.

El Guapo meets Godzilla

Last one on’s a rotten egg

The Presidential War’s over!  This helicopter’s destination is Panama, Grenada, El Salvadore, Kuwait, Iraq, last stop in Afghanistan!  Show your tickets.

Old Jules

Hot Diggety Damn – Join Me for One of These Next Year! Let’s Party!

2013 SANTA FE OPERA SEASON ANNOUNCED

WORLD PREMIERE OF OSCAR BY THEODORE MORRISON
Co-Commissioned and Co-Produced by The Santa Fe Opera and Opera Company of Philadelphia.
Featuring David Daniels in the title role.

 FIRST SANTA FE OPERA PERFORMANCES OF ROSSINI’S LA DONNA DEL LAGO
Featuring Joyce DiDonato in the title role.

 RETURN OF OFFENBACH’S THE GRAND DUCHESS OF GEROLSTEIN
First performances since 1979. New Production.
Featuring Susan Graham in the title role. 

TWO POPULAR REVIVALS
Mozart, The Marriage of Figaro from 2008. 
Verdi, La Traviata from 2009.
In honor of the 200th anniversary of the composer’s birth.

TWO SPECIAL CONCERTS

 SUNDAY, AUGUST 4, 4:00 PM
Venue to be Announced
In honor of the 200th anniversary of the birth of Richard Wagner
and the 100th anniversary of the birth of Benjamin Britten.
Richard Wagner, Wesendonck Lieder
Original version for voice and piano
Benjamin Britten, Cabaret Songs
Christine Brewer, Soprano
Frédéric Chaslin, Piano
Liszt, Wagner Transcriptions
Frédéric Chaslin, Piano

SUNDAY, AUGUST 18, 2013, 4:00 PM
STRAVINSKY COMMEMORATION
Basilica Cathedral of Saint Francis of Assisi
Stravinsky: Mass
Monteverdi: Vespers (selections)
A recreation of the concert Igor Stravinsky himself conducted on this date fifty years ago in his last appearance in Santa Fe.   That historic concert will be recreated by members of The Santa Fe Opera Apprentice Program and the Santa Fe Opera Orchestra led by Chief Conductor Frédéric Chaslin. 

THE GRAND DUCHESS OF GEROLSTEIN
Jacques Offenbach
Last performed by The Santa Fe Opera in 1979.  New Production.
Sung in French
With English Dialogue
June 28, July 3, 6, 12, 19, 30, August 7, 15, 21, 24

 

CONDUCTOR   Frédéric Chaslin
DIRECTOR     Lee Blakeley
SCENIC DESIGNER *Adrian Linford
COSTUME DESIGNER    *Jo van Schuppen
LIGHTING DESIGNER   Rick Fisher
CHOREOGRAPHER       Peggy Hickey
   
GRAND DUCHESS   Susan Graham
WANDA +*Anya Matanovič
FRITZ *Paul Appleby
BARON PUCK +Aaron Pegram
PRINCE PAUL  +Jonathan Michie
GENERAL BOUM  Kevin Burdette

 

Santa Fe Opera audiences in the 1970s loved this grande opera bouffe, and it was presented no less than four times in a decade.  Mr. MacKay decided it was time to bring it back.  The Grand Duchess, a young woman raised by tutors, is a tyrant, and the opera revolves around the complications of her love life.  Susan Graham, one of the world’s leading dramatic mezzo-sopranos, has a virtuoso comic side which will be remembered from the 2003 performance of another Offenbach gem, La Belle Hélène.  The object of her affections is a young officer, Fritz, sung by Paul Appleby in his debut.  Mr. Appleby was a national winner of the 2009 Metropolitan Opera National Council Auditions, a career grantee from the Richard Tucker Foundation in 2011, and recently, the recipient of the 2012 Martin E. Segal Award. He performs extensively with pianist Steven Blier and the New York Festival of Song.  The object of Fritz’s affection, Wanda, is sung by Anya Matanovič, also making her debut. The cast also includes Kevin Burdette, remembered as Kitty’s father in the 2011 production of The Last Savage.  Making their debuts are scenic designer Adrian Linford and costume designer Jo van Schuppen.  Both have worked with director Lee Blakely, who is returning to Santa Fe for the 2012 production of The Pearl Fishers.  Chief Conductor Frédéric Chaslin will conduct.

 

THE MARRIAGE OF FIGARO
Wolfgang Amadeus Mozart
Sung in Italian
Last performed by The Santa Fe Opera in 2008.  Revival.
June 29, July 5, 10, August 3, 8, 13, 20, 23

 

CONDUCTOR      John Nelson
DIRECTOR   Bruce Donnell
SCENIC & COSTUME DESIGNER  Paul Brown
LIGHTING DESIGNER     Duane Schuler
PRODUCTION Jonathan Kent
   
FIGARO   TBA
SUSANNA   *Lisette Oropesa
COUNTESS ALMAVIVA +Susanna Phillips
CHERUBINO       *+Emily Fons
MARCELLINA   Susanne Mentzer
BASILIO      +Keith Jameson
COUNT ALMAVIVA      Daniel Okulitch
DOCTOR BARTOLO  Dale Travis

 

The American soprano Lisette Oropesa will make her company debut as Susanna.  Ms. Oropesa, a former member of the Lindemann Young Artist Development Program at the Metropolitan Opera, has appeared in a number of operas there including Das Rheingold and Siegfried.  Most recently she appeared in the Met’s production of The Enchanted Island.  The Countess and Count will be sung by Susanna Phillips and Daniel Okulitch, who was last seen in 2011 as the Last Savage in the opera of the same name.  Ms. Phillips has been singing leading roles both in this country and abroad, including the Metropolitan Opera.  Emily Fons, an apprentice in 2008 and 2009, is Cherubino.  The distinguished conductor John Nelson, who has appeared with orchestras and ensembles in this country and in Europe, led the Company’s 1997 production of Semele.  Director Bruce Donnell will recreate the original production by Jonathan Kent.  He has directed extensively at the Metropolitan Opera including a tour to Japan, and with opera companies in Europe, Canada and South America.  He has directed a number of productions for The Santa Fe Opera, most recently Salome in 2006.

LA DONNA DEL LAGO
Gioachino Rossini
First performances by The Santa Fe Opera.  New Production.
Sung in Italian
July 13, 17, 26, August 1, 6, 14

 

CONDUCTOR   Stephen Lord
DIRECTOR   Paul Curran
SCENIC & COSTUME DESIGNER  Kevin Knight
LIGHTING DESIGNER  Duane Schuler
   
ELENA  +Joyce DiDonato
MALCOLM GROEME     *Daniela Barcellona
UBERTO   *Lawrence Brownlee
RODRIGO DI DHU   *René Barbera
DOUGLAS D’ANGUS   Wayne Tigges

Rossini’s opera of 1819 is based on The Lady of the Lake by Sir Walter Scott in which a young woman, Elena, is pledged to marry one man, but loves another.  Joyce DiDonato, in the title role, performed the opera in 2010 at the Paris Opera and in 2011 at La Scala.  In La Donna del Lago, her true love, Malcolm, will be sung by mezzo- soprano Daniela Barcellona.  Born in Trieste, Ms. Barcellona is recognized as a superb interpreter of Rossini whose works she has sung throughout Europe.  She appeared with Ms. DiDonato in the Paris and La Scala productions.  The brilliant American tenor Lawrence Brownlee is Uberto, the disguised King James who also loves Elena.  He studied at Indiana University, making his Metropolitan Opera debut in 2000. Tenor René Barbera, a native of San Antonio, is Rodrigo.  In 2011 he received the top three prizes in Plácido Domingo’s Operalia Competition, the first singer to do so.   All three are making their company debuts in this new production.  Stephen Lord returns to conduct.  He led The Tales of Hoffmann in 2010.  Director Paul Curran and scenic and costume designer Kevin Knight most recently created Albert Herring in 2010.

LA TRAVIATA
Giuseppe Verdi
Sung in Italian
Last Performed by The Santa Fe Opera in 2009.  Revival.
July 20, 24, 29, August 2, 5, 10, 16, 22

 

CONDUCTOR      Frédéric Chaslin
DIRECTOR   Laurent Pelly
SCENIC DESIGNER  Chantal Thomas
COSTUME DESIGNER Laurent Pelly
LIGHTING DESIGNER    Duane Schuler
   
VIOLETTA  *Brenda Rae
ALFREDO    +*Michael Fabiano
GERMONT     *Roland Wood (American debut)
GASTONE    +Keith Jameson
DOUPHOL +* Jonathan Michie
DR. GRENVIL  Dale Travis

French director Laurent Pelly returns to Santa Fe to recreate his striking production of La Traviata with scenic designer Chantal Thomas.  Making her debut as Violetta is Brenda Rae.  The American soprano has been a member of the ensemble at Frankfurt Opera where she has sung major roles.  Her appearances in Europe include performances at National Opera of Bordeaux, Glyndebourne Festival, Bayerische Staatsoper, and Arena di Verona.  Alfredo will be sung by Michael Fabiano, a former apprentice who has been winning acclaim in this country and in Europe.  He was a grand prize winner at the 2007 Metropolitan Opera National Council Auditions and was featured in The Audition, the documentary about the competition.  He has made debuts at English National Opera, San Francisco Opera, Dresden Semperoper, Opera Cologne, Deutsche Oper Berlin, and others.  Baritone Roland Wood is a British native, having received his music education at Royal Northern College of Music and at the National Opera Studio and English National Opera where he has also performed.  He has sung with opera companies throughout Scotland, England and in Europe.  All three are making their first appearances in Santa Fe.  These performances also mark Mr. Wood’s American debut.

OSCAR
Theodore Morrison
Libretto by Theodore Morrison and John Cox
World Premiere
Commissioned and Produced by
The Santa Fe Opera and Opera Company of Philadelphia
Sung in English
July 27, 31, August 9, 12, 17

 

CONDUCTOR  Evan Rogister
DIRECTOR   Kevin Newbury
SCENIC DESIGNER   David Korins
COSTUME DESIGNER David Woolard
LIGHTING DESIGNER     Rick Fisher
CHOREOGRAPHER    Seán Curran
   
OSCAR WILDE   David Daniels
ADA LEVERSON  Heidi Stober
FRANK HARRIS  +William Burden
WALT WHITMAN  Dwayne Croft

                                                               

David Daniels is one of music’s leading countertenors whose career spans music of the Baroque era to the contemporary.  He appeared in the Company’s 2011 production of Vivaldi’s Griselda and recently in the title role of Handel’s Rinaldo at the Lyric Opera of Chicago.  He was the leading countertenor in the Metropolitan Opera’s Baroque pastiche, Enchanted Island, seen worldwide in theaters in HD.  Heidi Stober was Musetta in the 2011 revival of La Bohéme and prior, as Tigrane in Radamisto with Mr. Daniels in 2008.  She is singing the role of Zdenka in the 2012 production of Arabella.  Mr. Burden will be remembered for his sympathetic performance of Captain Vere in the 2008 production of Billy Budd.  He is appearing as the mysterious Shepherd in the 2012 production of King Roger.  Kevin Newbury last directed Life Is a Dream by Lewis Spratlan in 2010.  He will continue his collaboration with scenic designer David Korins. Evan Rogister, who has made his career primarily in Europe, is now in demand with opera companies in the U.S and returns to conduct King Roger in 2012.

http://www.santafeopera.org/thecompany/news/pressreleases/detail.aspx?id=6802

Book Review – Into the Rising Sun – Patrick K. O’Donnell

 

Good morning readers.  Thanks for coming by for a read this morning.

This book ought to be required reading for all these namby-pamby ‘thank you for your service’ self-hugging smugness goodygoody submerged hypocrites, thinks I. 

These are the WWII experiences told by men who came back from WWII and didn’t talk about it.  Didn’t join the VFW, didn’t wave any flags, and grew old holding it inside their heads because what they saw and experienced as young men didn’t fit inside the picture the US Empire was drawing of itself and its conduct of WWII.

Eventually some decided it was time to tell it and O’Donnell was there to record what they said.  Into The Rising Sun was the result.  They told of being sent into places nobody needed to go, under-equipped with incompetent leadership, under-supplied, half-starved into malaria swamps against an enemy no better off than they were.

They told of the most significant experience of their lives.  A dismal experience perpetrated by negligence, mediocrity, politics, publicity and lies for the folks back home waving flags and beating drums.  Sending their own sons off to join them in jungles where getting captured meant becoming a meal for the enemy.  Where shooting all prisoners was the norm. 

Burma, the Solomons, the South Pacific they lived didn’t make its way into any Broadway musicals and the ‘thank you for your service’ expressions represented an irony too confusing to face.  Legions of men betrayed by their government for convenience, whims and indifference.  Betrayed by a failure of the military leadership to commit itself to the reality they were living and fulfill their own responsibilities, the only excuse for their existence.

The 20th Century is loaded with places a person wouldn’t care to have been.  What these men lived wasn’t unique.  Happened so many places to so many men of the 20th Century from all countries a book couldn’t list them all.

But this book probably represents as good a synopsis as anyone’s likely to produce.  It’s good the old men finally told it.

Old Jules

Texas Romance With Secession and Rope-Dancing

Hi readers.

Probably a strong case can be made that the Texan love for the idea of secession is directly related to the long-term love affair so many Texans have with lynchings, beatings, bullyings, and executions.  Especially during the past 50-60 years the Federal Government’s been a terrible thorn in the side of folks who’d like to be able to drag accused offenders out of the jailhouse and hang them, as their ancestors were fond of doing.

The side of the Civil War in Texas a reader has to search deeply to find is the part involving Texas Homeland Security of the time.  Raping, burning, looting, confiscation of property, and indiscriminate lynching of anyone the forces of law decided might oppose secession or the Confederacy.

[Secession! Texas Makes Its Choice – Texas State Library and Archives Commission https://www.tsl.state.tx.us/exhibits/civilwar/secession.html]

According to the Texas Historical Commission, “Texas stands third among the states, after Mississippi and Georgia, in the total number of lynching victims. Of the 468 victims in Texas between 1885 and 1942, 339 were black, 77 white, 53 Hispanic, and 1 Indian. Half of the white victims died between 1885 and 1889, and 53 percent of the Hispanics died in the 1915 troubles. Between 1889 and 1942 charges of murder or attempted murder precipitated at least 40 percent of the mobs; rape or attempted rape accounted for 26 percent. Blacks were more likely to be lynched for rape than were members of other groups, although even among blacks murder-related charges accounted for 40 percent of the lynchings and rape for only 32 percent. All but 15 of the 322 lynching incidents that have a known locality occurred in the eastern half of the state. The heaviest concentration of mob activity was along the Brazos River from Waco to the Gulf of Mexico, where eleven counties accounted for 20 percent of all lynch mobs. Other concentrations were in Harrison and neighboring counties on the Louisiana border, adjacent to Caddo Parish, Louisiana, one of the most lynching-prone areas in the country, and in Lamar and surrounding counties in Northeast Texas.”

http://www.tshaonline.org/handbook/online/articles/jgl01

A couple of examples of Texas Cultural Lynchmen at work:

Today in Texas History: Teenage boy lynched in Center

On this date in 1920, the body of Lige Daniels, an African-American teenager, hung in the main square of Center, a small town near the border between Texas and Louisiana.

Daniels was the victim of a lynching. In a 2001 story on Refdiff.com, columnist Dilip D’Souza described the scene: “Wearing a white shirt, torn pants and no shoes, his head tilted back sightlessly, this black teenager hung that day from the limb of a tree.”

D’Souza noted Daniels, imprisoned on allegations that he murdered a white woman, was taken from jail by a mob of nearly a thousand citizens, who carried him to the square where they hanged him.

D’Souza said the Daniels’ lynching garnered much attention but no local protests. Instead, there was so much fascination with the strung-up corpse that photographers turned the event into a postcard that was mailed to families and friends across the country. Daniels’ dead body became an article of trade.”

http://blog.chron.com/txpotomac/2010/08/today-in-texas-history-teenage-boy-lynched-in-center/

Or Jesse Washington, Waco.  http://en.wikipedia.org/wiki/Lynching_in_the_United_States

Texans have a legitimate pride in their history and their heritage.  Their heroes of the Alamo, of San Jacinto, of the wars with the Comanche, the Apache, the Civil War are, to Texans, reflections of what they are, themselves.  Their aspirations, their salutes, their strutting pride in a history they yearn to be a part of.

And being a part of the United States with its obstructive Supreme Court decisions, its attempts to stand between Texans and the act of being themselves, needs mending.

Needs another secession to open the doors to opportunities lost.

Old Jules

Confederate Capital of Arizona Territory

I probably should have added this to the last post, but somehow it seems to me to deserve a place of its own.

That building sitting on the corner of the plaza in Mesilla, New Mexico, was the self-same structure Col. Baylor of the Texas Baylor Baylors of Texas aristocracy chose as the capital building for the Confederate Territory of Arizona.

Baylor turned out to be a less-than-optimal governor to the Territory, brought himself up for all manner of criticism.  One of which being the source of an order to kill all the male Indians in the fledgling Territory, and make slaves of all the kids and surviving females.

News travelled slowly in those days, and this command reached Richmond, Virginia at a time to dovetail nicely with news of Sibley failures, chaotic retreat after Glorietta, and other matters not calculated to endear Baylor to the general Confederate command structure.

For instance, the retreating Texans left their severely injured in the hospital at Fort Davis as they passed through, hop-skip-and-jump ahead of pursuing Union Forces.  Obviously intending to defer medical treatment to the pursuers.

But Apache arrived at that hospital ahead of the Yankees.  Tortured, disembowelled, roasted those Texans at their leisure, finally killed them in time for the arrival of the rescuers.

Ultimately Baylor was reduced in rank to corporal and sentenced to spend the remainder of the war walking guard in Galveston, where he served honorably.

Old Jules