Tag Archives: writing

A new way to write

typewriter

Hi readers.

A couple of weeks ago at the Gold River Auction in Olathe Jeanne found this thing for free because nobody bid on it. She gave me a call and asked if I’d like to have it. Seemed a strange concept to me, but I told her to snag it for me.

Believe it or not this thing is not electric, doesn’t require any software, and you can just type words into it to get them printed right away. No hassle with a printer, no hookups, no dried out printer-ink.

Jeeze! You just type into this thing and if there’s a sheet of paper in it, you end up with a page with what you typed right there already.

I love this thing.

Is this a great country, or what?

Old Jules

Where desert mountain waits

Sun dried jerky of your past
Lies heavy on the stomach-heart
Grumbles, protests, lingers
Long, long after cactus
Arid faith
Uprooted by a desert mountain
Cloudburst flood
Has withered, blunted tines
No longer barbed
While jerky past still grumbles
Lies heavy on the stomach heart.

Lie still and watch
Lantern sun swings overhead
This banner day
Sliver moon salutes from darkened sky

Take heart.  Take heart.  Take heart.

Move the grumble upward to a song
To tines’ decay

Take heart take heart take heart

While dormant hidden succulents
Await return of desert mountain
Cloud burst flood
And full moon rises.

Jack Purcell, From Poems of the New Old West, copyright 2003, NineLives Press

 

What I Did This Summer

Jeanne’s back reporting to two jobs most days, 0730 through 2100 either in transit to jobs, or working. But believe it or not, she’s barely getting by financially. Next lifetime I’m going to devote some time trying to figure that out. Meanwhile, she’s lucky to have work, I reckons. Jack

Jeanne Kasten Studio

Hi everyone, thanks for coming by. I’ve not been in the mood for blogging for quite a while, but lately I’ve considered posting again with less text, sticking to more photos. I’ll see how it feels.

I promise not to post the 1500 photos I took when I went to Washington and Oregon in July, but if the mood strikes, you’ll see a few. I did quite a few collages over my break, and got some really great stuff in mail exchanges, so maybe I’ll show some of that. Instead of trying to showcase my gel pen art, I’ll probably use this blog as a place to post creative work of all kinds.

At the beginning of July, I was invited to show some art work at a friend’s open house. She called it “Christmas in July.” It turned out to be a showcase for party plan products of various…

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Shooting 50,000 unsolicited words at the Universe

Hi readers.  Thanks for coming by for a read this morning.

Jeanne tells me November’s going to have several thousand people grinding out first drafts of immortal prose again.  Poor old Universe will be ducking and dodging new characters, events, plots, subplots, trying to keep track of what’s really happening, and what someone dredged up from the imagination and stuffed into 50,000 words packed into the month of November.

I’ve wondered about this phenomenon for a longish time, several years, and honestly can’t quite figure it.  Probably tens of thousands of November novels written in past years nobody but the authors ever laid an eye to all the way through.  Pages, electrons on the screen, characters floating around in the ether wondering what the hell happened, why their pent-up events just ground to a halt.

All I can figure is those people doing that are trying to shoot down the Universe and know it’s going to take a lot of ammunition.

If a person were looking for a worthy project that would be less likely to damage the Universe he might consider taking the JRR Tolkein Lord of Rings trilogy and working it up into a second draft, which wossname, Tolkein failed to do.  At least not the part about say, cutting about 2/3 of the extraneous immortal prose, working it around so it’s tight, a pleasure on the tongue of the Universe, rather than just something out of some fast food joint.

Maybe someone everyone does what he says will think of this sometime and tell them they ought to do that instead of picking out targets of opportunity trying to shoot down the Universe.

Old Jules

Philosophy by Limerick – Divining the Future – The Oracle

An absurd, grotesque dis-assembly
Will waltz across Florida nimbly:
Plebes and Patricians
And news statisticians
Will celebrate parodies grimly.

Old Jules

Philosophy by Limerick – Patrician Solutions

While a peasant ponders

An insect in amber can last
Long after its species is past:
Urge you to clamber
Avoiding the amber
And eat extinct plants for repast.

Old Jules

Philosophy by Limerick: Rhetorical Obscene Hand Gestures

The role-models offer a clue
While naming only a few:
Bush, Reagan, [post-Dallas]
And Billary’s palace:
Spit polishing won’t make it new.

Old Jules

Philosophy by Limerick – Dante Disneyland

Minnie Mouse can be open-minded
And wabbits can sometimes be blinded
By synthetic passion
Of this or that fashion:
Uncle Scrooge accepts plastic! [Reminded!]

Old Jules

Philosophy by Limerick – Hot, Throbbing Democracy

“Equine or a pachyderm style?”
Ms. Street Hooker asks with a smile.
“Trickle-down while I wail out
Snatch wallet and bail out!
You won’t want to vote for a while!”

Old Jules

Beating Dead Horses – Lynching Poor Old Ayn Rand Again

Good morning readers.  Thanks for coming by for a read this morning.

I gather from the email forwards that someone’s not satisfied Ayn Rand has been accepted as pathetic enough, wrong enough, dead enough to be left alone.  Subject lines by non-psychiatrists, non-psychologists are taking the trouble to declare her a lunatic.

Poor, sad, bitter woman trapped inside a self yearning for men to be hairier chested, more muscled-up, more knock-em-around, slap-em-down and screw ’em.  More like the good old days, taking what they want from anyone too weak to keep them from it.

I wonder why they don’t just leave her the hell alone.  The 20th Century had no shortage of miserable, confused people, plenty of them writers, submerged in bitterness and misplaced notions of how it could be better.

In some ways every time Ayn Rand and her wishes come up I find myself thinking of Sylvia Plath, similar in so many ways, but with a different slant on the sort of man Rand longed for:

Daddy   
by Sylvia Plath 

 
You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe or Achoo.

Daddy, I have had to kill you.
You died before I had time–
Marble-heavy, a bag full of God,
Ghastly statue with one gray toe
Big as a Frisco seal

And a head in the freakish Atlantic
Where it pours bean green over blue
In the waters off beautiful Nauset.
I used to pray to recover you.
Ach, du.

In the German tongue, in the Polish town
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.
My Polack friend

Says there are a dozen or two.
So I never could tell where you
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.

It stuck in a barb wire snare.
Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.
And the language obscene

An engine, an engine
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.
I began to talk like a Jew.
I think I may well be a Jew.

The snows of the Tyrol, the clear beer of Vienna
Are not very pure or true.
With my gipsy ancestress and my weird luck
And my Taroc pack and my Taroc pack
I may be a bit of a Jew.

I have always been scared of you,
With your Luftwaffe, your gobbledygoo.
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You–

Not God but a swastika
So black no sky could squeak through.
Every woman adores a Fascist,
The boot in the face, the brute
Brute heart of a brute like you.

You stand at the blackboard, daddy,
In the picture I have of you,
A cleft in your chin instead of your foot
But no less a devil for that, no not
Any less the black man who

Bit my pretty red heart in two.
I was ten when they buried you.
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.

But they pulled me out of the sack,
And they stuck me together with glue.
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look

And a love of the rack and the screw.
And I said I do, I do.
So daddy, I’m finally through.
The black telephone’s off at the root,
The voices just can’t worm through.

If I’ve killed one man, I’ve killed two–
The vampire who said he was you
And drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.

There’s a stake in your fat black heart
And the villagers never liked you.
They are dancing and stamping on you.
They always knew it was you.
Daddy, daddy, you bastard, I’m through.
12 October 1962
 

But nobody ever bothers dragging Plath up out of the grave and horsewhipping her.  What the hell.

Old Jules