Persig’s decided to do his Chatauqua on Phaedrus. Begins by explaining how Phaedrus saw the world in a classical reality form, explains the difference between those two ways of approaching reality.
Hydrox: So what’s the Classical reality way of viewing cat food? Are we cats viewing the Romantic way, or the Classical way?
Me: Romantic. No question about it, no compromise, even. The Classical’s the underlying form. The components that make up the food, the nutritional value. The process that went into canning it. You cats couldn’t care less about that. Taste and odor are the immediately apparent form, the Romantic. They’re all you care about.
Hydrox: I like to eat the insides out of things I catch. Leave the head and sometimes tail and legs. I like the underlying form best.
Me: Actually not. If you were opening that mouse and looking at the way the digestive tract works, the circulatory system, the nerves, lungs, then you’d be getting into Classical form. You aren’t looking at underlying function even though it’s inside. You’re after taste, odor and texture. There are no goods, no bads in the Classical form. No feelings. Those are all Romantic form.
Hydrox: Okay. But you’re saying this Phaedrus guy was only interested in underlying form? Classical form? Is that why he was crazy?
Me: Not really, but we’ll get into that. Crazy doesn’t seem to confine itself to one form or another. And the reasons Phaedrus had his insanity are a lot deeper than that. More in the manner of the way he broke the world down to analyse it than in the form itself.
Niaid: Off the subject, but wasn’t the kid here in the story killed in a driveby shooting a few years ago? A long time after this story.
Me: Yeah, he was. Before you cats were even born. Before Persig wrote Lila, too.
Tabby: So are we supposed to keep that in mind while we’re doing this? That this kid’s going to end up dead in a driveby shooting?
Me: Not if you can keep from it, though it’s not easy to keep it separate. What happened to that kid later on didn’t have anything to do with Phaedrus, and the way you’ll be thinking about him is Romantic. Feelings.
Shoot. Even I understand this now. Smart cats.
Morning Tess: That’s why I keep them around. Gracias, J
Noted and acknowledged, Tess. Gracias, J
With this, the book details two types of personalities: those who are interested mostly in gestalts (romantic viewpoints, such as Zen, focused on being “In the moment”, and not on rational analysis), and those who seek to know the details, understand the inner workings, and master the mechanics (classic viewpoints with application of rational analysis, vis-a-vis motorcycle maintenance) and so on.
Actually Luke, gestalt has nothing whatever to do with it, nor with romantic and classical modes of thinking. Certainly not with Phaedrus’s attempt to reconcile the two mutually exclusive modes without drowning the one, nor strangling the other. Which is why Persig bothered to write the book. Gracias, J
I didn’t know his son was killed.
Elroyjones: I think it happened in the late ’80s… before Lila was published, anyway. Gracias, J