An absurd, grotesque dis-assembly
Will waltz across Florida nimbly:
Plebes and Patricians
And news statisticians
Will celebrate parodies grimly.
Old Jules
An absurd, grotesque dis-assembly
Will waltz across Florida nimbly:
Plebes and Patricians
And news statisticians
Will celebrate parodies grimly.
Old Jules
An insect in amber can last
Long after its species is past:
Urge you to clamber
Avoiding the amber
And eat extinct plants for repast.
Old Jules
Good morning readers. Thanks for coming by for a read this morning.
I’ve poked a little fun at Junction, Texas. Partly because they were there, I was there, and it’s an easy target, standing still gazing into the headlights. But the stark reality is the people of Junction aren’t significantly different from you, me, and all the people living around us. They’re trying to scratch out a living in a country that’s caving in around them, trying to hang on to what hasn’t caved in yet.
Trying to find something that works by throwing grappling hooks into things that worked in the past. And when they see it’s not working, blaming the failures on people who are trying to reconstruct different things from somewhere else in the past.
That $3.50 per gallon gasoline sign is a disaster in rural Texas where the nearest somewhat large town’s a $20-$30 round trip. Same as everywhere else in the western US. It means the price of having groceries delivered to stores in town will skyrocket over time, and driving to the larger stores in larger towns will skyrocket alongside what’s happening locally.
Aside from some agriculture, nobody in Junction, Texas, is manufacturing anything anyone wants to buy locally, anyone would want to buy elsewhere in the US, or overseas. Same as where you are, only in Junction it’s more obvious.
But their toasters, microwave ovens, automobile parts, refrigerators and computers are manufactured in Asia, same as yours. There’s nobody in town can repair most of them when they fail without obtaining parts manufactured in Asia.
So they fantasize about seceding. Pretending they could go back to the independence of the past. Pretending that would bring back ways to make an honest living. Celebrating their tough, Comanche fighting, Confederate ancestors, pretending they have something in common with them.
While on the other hand, they try to imagine they have something in common with people a decade ago who died when an airplane crashed into a building a quarter-mile high. Grasping for some abstraction of solidarity with the people there, some anchor that pretending they remember those people might provide to help them deal with a world collapsing around them.
In a real sense, they do have something in common with those 9/11 dead, beyond them all being human beings. The people who jumped out of those towers weren’t manufacturing anything anyone would want, either. If they were living today they’d be paying big bucks for gasoline, groceries, toasters, manufactured somewhere else, too.
But there’s nothing else meaningful those unfortunate people in New York could have to say to people in Junction, Texas. If asked, I suppose they might suggest, “Build higher buildings.”
The road from Main Street to the graveyard is easier to follow in Junction, but nothing else is less complicated than anywhere else.
Old Jules
Posted in 2012, America, Current Issues, Government, History, Politics, Texas
Tagged 9/11, Confederates, culture, economy, government, History, Human Behavior, humor, junction texas, Life, lifestyle, philosophy, politics, psychology, society, sociology
Hi readers. I don’t recall when I first discovered the joys of hanging out in cemeteries. I don’t remember ever not doing it. Somewhere back there I discovered that old cemeteries, tombstones and the ways individuals choose to remember their dead tells a lot about the communities, the local histories and priorities.
Vandalism’s a problem in a lot of the older graveyards, has been for a considerable while. But up-keep of some of the older graves where the families have died or moved away also reveals itself.
A visitor’s left to mull over how those folks standing beside the hull of someone they cared for enough to construct this managed to forget so completely. A few generations, a few wars, depressions, and something went away. Every cemetery in the US, probably in the world, has a lot of graves of 1918 flu victims. Frequently they’re all grouped together, but this one’s not arranged in that way.
The Junction cemetary has 50-100 graves of Confederate Civil War veterans, mostly marked by government-provided stones, each with a Confederate Battle Flag, Confederate flag, or Texas Confederate flag.
A dozen-or-so Texas Rangers are also buried here. Most were also Confederate veterans.
I’m wondering whether this one mightn’t have been a relative of Sherrod Hunter, commander of the troops that occupied Tucson. The world was a smaller place back then.
Sometimes the survivors had the stones marked with the life experiences of the dead they considered most important, sometimes the nicest things they could think of so say about them.
Sometimes just the way the dead wished to be remembered.
But Junction people have another, more visible way of remembering their dead. This one’s nearer the center of town. Almost certainly a lot of those antlers were contributed by people now residing in the cemetery. Thrilling moments of their lives, or mundane moments in hard times, bringing home meat for the table.
Old Jules
Posted in 2012, Adventure, History, Texas
Tagged cemeteries, cemetery, culture, History, junction texas, Life, lifestyle, psychology, Relationships, society, sociology
Good morning readers. Thanks for coming by for a read this morning.
Civilization is seeping into TimeWarpsVille, and it’s rearing its ugly head in the Junction City Park.
Enjoyment is facilitated by clarifications and footnotes to entrance rules.
But who the hell wants to swim at his own risk?
Several safe flying saucer tiedowns are provided.
I didn’t feel much like skinny-dipping at my own risk and suspected I was having more fun than the law allows. Decided it was time to head for the graveyard or one of the museums. Maybe look over some historical marker sites.
Old Jules
Posted in 2012, Adventure, Gambling, Government, Police, Texas, The Lone Psychiatrist
Tagged adventure, civilization, culture, entertainment, environment, Human Behavior, humor, junction texas, Kimble County Texas, Life, lifestyle, philosophy, psychology, security, society, sociology
Hi readers. Thanks for coming by for a read.
Trucking down mainstreet toward the courthouse I immediately noticed the flags are gone, and of the dozen-or-more of these signs there a month ago, only three are left.
Bad sign, thinks I while ignoring inconvenient puns. Might mean there are some intelligent, ethical people in Junction, Texas, with some class. People who aren’t allowing themselves to be brow-beaten by kneejerks to backhandedly exploit the dead for some obscure political message.
People who’ve thoughtfully arrived at the realization that some things are better forgotten.
Lousy people to have on juries. Might reduce my chances for getting exempted.
However, then I arrived at the courthouse. The place was strangely quiet.
Clock said it was what? 4:30 am? I’m there in plenty of time. But my watch says it’s 9:00 am.
But the sign on the door explains all.
But parenthetically adds we ain’t allowed to burn down the County Courthouse.
So, I’m free. Got time to kill, a whole town to stick my nose into. Gas gauge is showing empty, so first I swing in for a tank of cheap petrol.
$50 later I drift over for five minutes of free prayer and a Kow Kick. Hadn’t done any gratitude affirmations yet about jury duty being cancelled, and a non-Christian doesn’t get many offers for free prayer. Much less with a Kow Kick thrown in.
Sooooo. Off to the city park for a while, spent an hour or so in the graveyard, which is cool, had some Lum’s barbeque, examined various historical markers. All of which I’ll report to you in loving detail during otherwise dull moments of the future.
Meanwhile, feel free to forget. It’s surprisingly uplifting, cleansing, and clears the conscience of all that guilt for trying to exploit the dead. Helps make a classy individual of you. Might make people believe you’re intelligent, well-rounded and capable of thinking for yourself.
Old Jules
Posted in 2000's, 2012, Adventure
Tagged 9/11, culture, forgetting 9/11, History, Human Behavior, humor, junction texas, Kimble County Texas, Kimble Kounty Kow Kick, Life, lifestyle, musings, patriotism, psychology, remembering 9/11, society, sociology
Good morning readers. Thanks for coming by for a read.
Drove that house out here at speeds that our great-great grandaddies would have fainted and revived themselves to know. By 19th Century standards it was a rush. By 20th Century standards it slowed down some. But it came down the 19th Century standards road from the pavement to the cabin as smoothly as a buckboard or stagecoach would have.
Didn’t require many miles to discover I’m gonna need to install some helpers for the rear leaf springs. Or replace the old ones. A cross-wind at 55 adds thrills a person couldn’t find on a drag strip or Daytona speedway.
Now, whenever this is, I’m going to have to see if it will climb back out of here, drive over to the County Seat at TimeWarpVille, Texas. Maybe turn loose a few criminals if I get selected for jury duty.
Civic duties, civic duties, civic duties! Just drives me crazy!
Old Jules
Posted in 2012, Adventure, Transportation, Trucks
Tagged 1983, 22R, country life, courts, criminal justice, culture, Human Behavior, humor, jury duty, Life, lifestyle, motor home, psychology, senior citizens, society, sociology, Toyota RV
Hi readers. Thanks for coming by for a read this morning.
Elroyjones and others who’ve asked for pics, I don’t have this miracle out here yet so I can’t provide you pics at the moment of that specific one. But the cool thing about living in the 21s Century is a person can meet himself coming the other direction down the road he’s going on.
Someone on Craigslist is selling one so much like it I had to look twice to make sure it wasn’t the same backpack. http://sandiego.craigslist.org/csd/rvs/3189851591.html


A couple of things are different, but generally the same animal. The Craigslist one’s 21′ and the Opera Ticket’s 18′, I’m thinking. Same model, same engine, interior design somewhat different – this guy claims 18 mpg on the road. The one I’m getting has a generator mounted below on this side, while this one doesn’t.
But the Feline Asylum’s got 76,000 miles on the 22R engine, sat up a decade after the man owned it was killed in a plane crash. Then another man bought it, worked on a lot of it for five years, put a new set of tires on it, and before he was finished decided he has to move to Arkansas. It has a few things to be done before it’s ready to head off looking at operas.
I’ll be back and forth this week getting things arranged while the cats chew their toenails and stomp around complaining.
Old Jules
Posted in 2012, Adventure, America, Animals, Senior Citizens, Transportation, Trucks
Tagged culture, Human Behavior, humor, Life, lifestyle, senior citizens, society, sociology, Toyota RV, transportation, trucks
2013 SANTA FE OPERA SEASON ANNOUNCED
WORLD PREMIERE OF OSCAR BY THEODORE MORRISON
Co-Commissioned and Co-Produced by The Santa Fe Opera and Opera Company of Philadelphia.
Featuring David Daniels in the title role.
FIRST SANTA FE OPERA PERFORMANCES OF ROSSINI’S LA DONNA DEL LAGO
Featuring Joyce DiDonato in the title role.
RETURN OF OFFENBACH’S THE GRAND DUCHESS OF GEROLSTEIN
First performances since 1979. New Production.
Featuring Susan Graham in the title role.
TWO POPULAR REVIVALS
Mozart, The Marriage of Figaro from 2008.
Verdi, La Traviata from 2009.
In honor of the 200th anniversary of the composer’s birth.
TWO SPECIAL CONCERTS
SUNDAY, AUGUST 4, 4:00 PM
Venue to be Announced
In honor of the 200th anniversary of the birth of Richard Wagner
and the 100th anniversary of the birth of Benjamin Britten.
Richard Wagner, Wesendonck Lieder
Original version for voice and piano
Benjamin Britten, Cabaret Songs
Christine Brewer, Soprano
Frédéric Chaslin, Piano
Liszt, Wagner Transcriptions
Frédéric Chaslin, Piano
SUNDAY, AUGUST 18, 2013, 4:00 PM
STRAVINSKY COMMEMORATION
Basilica Cathedral of Saint Francis of Assisi
Stravinsky: Mass
Monteverdi: Vespers (selections)
A recreation of the concert Igor Stravinsky himself conducted on this date fifty years ago in his last appearance in Santa Fe. That historic concert will be recreated by members of The Santa Fe Opera Apprentice Program and the Santa Fe Opera Orchestra led by Chief Conductor Frédéric Chaslin.
THE GRAND DUCHESS OF GEROLSTEIN
Jacques Offenbach
Last performed by The Santa Fe Opera in 1979. New Production.
Sung in French
With English Dialogue
June 28, July 3, 6, 12, 19, 30, August 7, 15, 21, 24
| CONDUCTOR | Frédéric Chaslin |
| DIRECTOR | Lee Blakeley |
| SCENIC DESIGNER | *Adrian Linford |
| COSTUME DESIGNER | *Jo van Schuppen |
| LIGHTING DESIGNER | Rick Fisher |
| CHOREOGRAPHER | Peggy Hickey |
| GRAND DUCHESS | Susan Graham |
| WANDA | +*Anya Matanovič |
| FRITZ | *Paul Appleby |
| BARON PUCK | +Aaron Pegram |
| PRINCE PAUL | +Jonathan Michie |
| GENERAL BOUM | Kevin Burdette |
Santa Fe Opera audiences in the 1970s loved this grande opera bouffe, and it was presented no less than four times in a decade. Mr. MacKay decided it was time to bring it back. The Grand Duchess, a young woman raised by tutors, is a tyrant, and the opera revolves around the complications of her love life. Susan Graham, one of the world’s leading dramatic mezzo-sopranos, has a virtuoso comic side which will be remembered from the 2003 performance of another Offenbach gem, La Belle Hélène. The object of her affections is a young officer, Fritz, sung by Paul Appleby in his debut. Mr. Appleby was a national winner of the 2009 Metropolitan Opera National Council Auditions, a career grantee from the Richard Tucker Foundation in 2011, and recently, the recipient of the 2012 Martin E. Segal Award. He performs extensively with pianist Steven Blier and the New York Festival of Song. The object of Fritz’s affection, Wanda, is sung by Anya Matanovič, also making her debut. The cast also includes Kevin Burdette, remembered as Kitty’s father in the 2011 production of The Last Savage. Making their debuts are scenic designer Adrian Linford and costume designer Jo van Schuppen. Both have worked with director Lee Blakely, who is returning to Santa Fe for the 2012 production of The Pearl Fishers. Chief Conductor Frédéric Chaslin will conduct.
THE MARRIAGE OF FIGARO
Wolfgang Amadeus Mozart
Sung in Italian
Last performed by The Santa Fe Opera in 2008. Revival.
June 29, July 5, 10, August 3, 8, 13, 20, 23
| CONDUCTOR | John Nelson |
| DIRECTOR | Bruce Donnell |
| SCENIC & COSTUME DESIGNER | Paul Brown |
| LIGHTING DESIGNER | Duane Schuler |
| PRODUCTION | Jonathan Kent |
| FIGARO | TBA |
| SUSANNA | *Lisette Oropesa |
| COUNTESS ALMAVIVA | +Susanna Phillips |
| CHERUBINO | *+Emily Fons |
| MARCELLINA | Susanne Mentzer |
| BASILIO | +Keith Jameson |
| COUNT ALMAVIVA | Daniel Okulitch |
| DOCTOR BARTOLO | Dale Travis |
The American soprano Lisette Oropesa will make her company debut as Susanna. Ms. Oropesa, a former member of the Lindemann Young Artist Development Program at the Metropolitan Opera, has appeared in a number of operas there including Das Rheingold and Siegfried. Most recently she appeared in the Met’s production of The Enchanted Island. The Countess and Count will be sung by Susanna Phillips and Daniel Okulitch, who was last seen in 2011 as the Last Savage in the opera of the same name. Ms. Phillips has been singing leading roles both in this country and abroad, including the Metropolitan Opera. Emily Fons, an apprentice in 2008 and 2009, is Cherubino. The distinguished conductor John Nelson, who has appeared with orchestras and ensembles in this country and in Europe, led the Company’s 1997 production of Semele. Director Bruce Donnell will recreate the original production by Jonathan Kent. He has directed extensively at the Metropolitan Opera including a tour to Japan, and with opera companies in Europe, Canada and South America. He has directed a number of productions for The Santa Fe Opera, most recently Salome in 2006.
LA DONNA DEL LAGO
Gioachino Rossini
First performances by The Santa Fe Opera. New Production.
Sung in Italian
July 13, 17, 26, August 1, 6, 14
| CONDUCTOR | Stephen Lord |
| DIRECTOR | Paul Curran |
| SCENIC & COSTUME DESIGNER | Kevin Knight |
| LIGHTING DESIGNER | Duane Schuler |
| ELENA | +Joyce DiDonato |
| MALCOLM GROEME | *Daniela Barcellona |
| UBERTO | *Lawrence Brownlee |
| RODRIGO DI DHU | *René Barbera |
| DOUGLAS D’ANGUS | Wayne Tigges |
Rossini’s opera of 1819 is based on The Lady of the Lake by Sir Walter Scott in which a young woman, Elena, is pledged to marry one man, but loves another. Joyce DiDonato, in the title role, performed the opera in 2010 at the Paris Opera and in 2011 at La Scala. In La Donna del Lago, her true love, Malcolm, will be sung by mezzo- soprano Daniela Barcellona. Born in Trieste, Ms. Barcellona is recognized as a superb interpreter of Rossini whose works she has sung throughout Europe. She appeared with Ms. DiDonato in the Paris and La Scala productions. The brilliant American tenor Lawrence Brownlee is Uberto, the disguised King James who also loves Elena. He studied at Indiana University, making his Metropolitan Opera debut in 2000. Tenor René Barbera, a native of San Antonio, is Rodrigo. In 2011 he received the top three prizes in Plácido Domingo’s Operalia Competition, the first singer to do so. All three are making their company debuts in this new production. Stephen Lord returns to conduct. He led The Tales of Hoffmann in 2010. Director Paul Curran and scenic and costume designer Kevin Knight most recently created Albert Herring in 2010.
LA TRAVIATA
Giuseppe Verdi
Sung in Italian
Last Performed by The Santa Fe Opera in 2009. Revival.
July 20, 24, 29, August 2, 5, 10, 16, 22
| CONDUCTOR | Frédéric Chaslin |
| DIRECTOR | Laurent Pelly |
| SCENIC DESIGNER | Chantal Thomas |
| COSTUME DESIGNER | Laurent Pelly |
| LIGHTING DESIGNER | Duane Schuler |
| VIOLETTA | *Brenda Rae |
| ALFREDO | +*Michael Fabiano |
| GERMONT | *Roland Wood (American debut) |
| GASTONE | +Keith Jameson |
| DOUPHOL | +* Jonathan Michie |
| DR. GRENVIL | Dale Travis |
French director Laurent Pelly returns to Santa Fe to recreate his striking production of La Traviata with scenic designer Chantal Thomas. Making her debut as Violetta is Brenda Rae. The American soprano has been a member of the ensemble at Frankfurt Opera where she has sung major roles. Her appearances in Europe include performances at National Opera of Bordeaux, Glyndebourne Festival, Bayerische Staatsoper, and Arena di Verona. Alfredo will be sung by Michael Fabiano, a former apprentice who has been winning acclaim in this country and in Europe. He was a grand prize winner at the 2007 Metropolitan Opera National Council Auditions and was featured in The Audition, the documentary about the competition. He has made debuts at English National Opera, San Francisco Opera, Dresden Semperoper, Opera Cologne, Deutsche Oper Berlin, and others. Baritone Roland Wood is a British native, having received his music education at Royal Northern College of Music and at the National Opera Studio and English National Opera where he has also performed. He has sung with opera companies throughout Scotland, England and in Europe. All three are making their first appearances in Santa Fe. These performances also mark Mr. Wood’s American debut.
OSCAR
Theodore Morrison
Libretto by Theodore Morrison and John Cox
World Premiere
Commissioned and Produced by
The Santa Fe Opera and Opera Company of Philadelphia
Sung in English
July 27, 31, August 9, 12, 17
| CONDUCTOR | Evan Rogister |
| DIRECTOR | Kevin Newbury |
| SCENIC DESIGNER | David Korins |
| COSTUME DESIGNER | David Woolard |
| LIGHTING DESIGNER | Rick Fisher |
| CHOREOGRAPHER | Seán Curran |
| OSCAR WILDE | David Daniels |
| ADA LEVERSON | Heidi Stober |
| FRANK HARRIS | +William Burden |
| WALT WHITMAN | Dwayne Croft |
David Daniels is one of music’s leading countertenors whose career spans music of the Baroque era to the contemporary. He appeared in the Company’s 2011 production of Vivaldi’s Griselda and recently in the title role of Handel’s Rinaldo at the Lyric Opera of Chicago. He was the leading countertenor in the Metropolitan Opera’s Baroque pastiche, Enchanted Island, seen worldwide in theaters in HD. Heidi Stober was Musetta in the 2011 revival of La Bohéme and prior, as Tigrane in Radamisto with Mr. Daniels in 2008. She is singing the role of Zdenka in the 2012 production of Arabella. Mr. Burden will be remembered for his sympathetic performance of Captain Vere in the 2008 production of Billy Budd. He is appearing as the mysterious Shepherd in the 2012 production of King Roger. Kevin Newbury last directed Life Is a Dream by Lewis Spratlan in 2010. He will continue his collaboration with scenic designer David Korins. Evan Rogister, who has made his career primarily in Europe, is now in demand with opera companies in the U.S and returns to conduct King Roger in 2012.
http://www.santafeopera.org/thecompany/news/pressreleases/detail.aspx?id=6802
Posted in Adventure, America, New Mexico, NM, Senior Citizens
Tagged 2013 SF Opera Season, art, culture, entertainment, Events, Human Behavior, humor, Life, music, music2, New Mexico, opera, Santa Fe Opera, senior citizens, shows, society, sociology, theater, travel