Tag Archives: entertainment

Edmond Rostand, Cyrano de Bergerac

Been feeling the urge most of the day to read Cyrano de Bergerac again.  Dug around in piles and boxes of books trying to find it and eventually gave up the ghost.  Searched gutenberg.org and found they have a free download of it.

http://www.gutenberg.org/ebooks/1254

Heck, everything else being equal I wouldn’t mind seeing the movie again.  Jose Ferrer did a great job of capturing the spirit of the book.  I still recall his ‘nose speech’ from seeing the movie as a kid.  The movie was black and white in those days.  Somewhere color slipped in on some of the YouTube versions.

The TimeWarpsVille Saga – Civilization Arrives

Good morning readers.  Thanks for coming by for a read this morning.

Visitors Not Having Fun Will Be Prosecuted

Civilization is seeping into TimeWarpsVille, and it’s rearing its ugly head in the Junction City Park.

Rules Carefully Disambiguated

Enjoyment is facilitated by clarifications and footnotes to entrance rules.

Dive Risks Deferred to Others

But who the hell wants to swim at his own risk?

ALL chains must be securely fastened to craft.

Several safe flying saucer tiedowns are provided.

I didn’t feel much like skinny-dipping at my own risk and suspected I was having more fun than the law allows.  Decided it was time to head for the graveyard or one of the museums.  Maybe look over some historical marker sites.

Old Jules

Hot Diggety Damn – Join Me for One of These Next Year! Let’s Party!

2013 SANTA FE OPERA SEASON ANNOUNCED

WORLD PREMIERE OF OSCAR BY THEODORE MORRISON
Co-Commissioned and Co-Produced by The Santa Fe Opera and Opera Company of Philadelphia.
Featuring David Daniels in the title role.

 FIRST SANTA FE OPERA PERFORMANCES OF ROSSINI’S LA DONNA DEL LAGO
Featuring Joyce DiDonato in the title role.

 RETURN OF OFFENBACH’S THE GRAND DUCHESS OF GEROLSTEIN
First performances since 1979. New Production.
Featuring Susan Graham in the title role. 

TWO POPULAR REVIVALS
Mozart, The Marriage of Figaro from 2008. 
Verdi, La Traviata from 2009.
In honor of the 200th anniversary of the composer’s birth.

TWO SPECIAL CONCERTS

 SUNDAY, AUGUST 4, 4:00 PM
Venue to be Announced
In honor of the 200th anniversary of the birth of Richard Wagner
and the 100th anniversary of the birth of Benjamin Britten.
Richard Wagner, Wesendonck Lieder
Original version for voice and piano
Benjamin Britten, Cabaret Songs
Christine Brewer, Soprano
Frédéric Chaslin, Piano
Liszt, Wagner Transcriptions
Frédéric Chaslin, Piano

SUNDAY, AUGUST 18, 2013, 4:00 PM
STRAVINSKY COMMEMORATION
Basilica Cathedral of Saint Francis of Assisi
Stravinsky: Mass
Monteverdi: Vespers (selections)
A recreation of the concert Igor Stravinsky himself conducted on this date fifty years ago in his last appearance in Santa Fe.   That historic concert will be recreated by members of The Santa Fe Opera Apprentice Program and the Santa Fe Opera Orchestra led by Chief Conductor Frédéric Chaslin. 

THE GRAND DUCHESS OF GEROLSTEIN
Jacques Offenbach
Last performed by The Santa Fe Opera in 1979.  New Production.
Sung in French
With English Dialogue
June 28, July 3, 6, 12, 19, 30, August 7, 15, 21, 24

 

CONDUCTOR   Frédéric Chaslin
DIRECTOR     Lee Blakeley
SCENIC DESIGNER *Adrian Linford
COSTUME DESIGNER    *Jo van Schuppen
LIGHTING DESIGNER   Rick Fisher
CHOREOGRAPHER       Peggy Hickey
   
GRAND DUCHESS   Susan Graham
WANDA +*Anya Matanovič
FRITZ *Paul Appleby
BARON PUCK +Aaron Pegram
PRINCE PAUL  +Jonathan Michie
GENERAL BOUM  Kevin Burdette

 

Santa Fe Opera audiences in the 1970s loved this grande opera bouffe, and it was presented no less than four times in a decade.  Mr. MacKay decided it was time to bring it back.  The Grand Duchess, a young woman raised by tutors, is a tyrant, and the opera revolves around the complications of her love life.  Susan Graham, one of the world’s leading dramatic mezzo-sopranos, has a virtuoso comic side which will be remembered from the 2003 performance of another Offenbach gem, La Belle Hélène.  The object of her affections is a young officer, Fritz, sung by Paul Appleby in his debut.  Mr. Appleby was a national winner of the 2009 Metropolitan Opera National Council Auditions, a career grantee from the Richard Tucker Foundation in 2011, and recently, the recipient of the 2012 Martin E. Segal Award. He performs extensively with pianist Steven Blier and the New York Festival of Song.  The object of Fritz’s affection, Wanda, is sung by Anya Matanovič, also making her debut. The cast also includes Kevin Burdette, remembered as Kitty’s father in the 2011 production of The Last Savage.  Making their debuts are scenic designer Adrian Linford and costume designer Jo van Schuppen.  Both have worked with director Lee Blakely, who is returning to Santa Fe for the 2012 production of The Pearl Fishers.  Chief Conductor Frédéric Chaslin will conduct.

 

THE MARRIAGE OF FIGARO
Wolfgang Amadeus Mozart
Sung in Italian
Last performed by The Santa Fe Opera in 2008.  Revival.
June 29, July 5, 10, August 3, 8, 13, 20, 23

 

CONDUCTOR      John Nelson
DIRECTOR   Bruce Donnell
SCENIC & COSTUME DESIGNER  Paul Brown
LIGHTING DESIGNER     Duane Schuler
PRODUCTION Jonathan Kent
   
FIGARO   TBA
SUSANNA   *Lisette Oropesa
COUNTESS ALMAVIVA +Susanna Phillips
CHERUBINO       *+Emily Fons
MARCELLINA   Susanne Mentzer
BASILIO      +Keith Jameson
COUNT ALMAVIVA      Daniel Okulitch
DOCTOR BARTOLO  Dale Travis

 

The American soprano Lisette Oropesa will make her company debut as Susanna.  Ms. Oropesa, a former member of the Lindemann Young Artist Development Program at the Metropolitan Opera, has appeared in a number of operas there including Das Rheingold and Siegfried.  Most recently she appeared in the Met’s production of The Enchanted Island.  The Countess and Count will be sung by Susanna Phillips and Daniel Okulitch, who was last seen in 2011 as the Last Savage in the opera of the same name.  Ms. Phillips has been singing leading roles both in this country and abroad, including the Metropolitan Opera.  Emily Fons, an apprentice in 2008 and 2009, is Cherubino.  The distinguished conductor John Nelson, who has appeared with orchestras and ensembles in this country and in Europe, led the Company’s 1997 production of Semele.  Director Bruce Donnell will recreate the original production by Jonathan Kent.  He has directed extensively at the Metropolitan Opera including a tour to Japan, and with opera companies in Europe, Canada and South America.  He has directed a number of productions for The Santa Fe Opera, most recently Salome in 2006.

LA DONNA DEL LAGO
Gioachino Rossini
First performances by The Santa Fe Opera.  New Production.
Sung in Italian
July 13, 17, 26, August 1, 6, 14

 

CONDUCTOR   Stephen Lord
DIRECTOR   Paul Curran
SCENIC & COSTUME DESIGNER  Kevin Knight
LIGHTING DESIGNER  Duane Schuler
   
ELENA  +Joyce DiDonato
MALCOLM GROEME     *Daniela Barcellona
UBERTO   *Lawrence Brownlee
RODRIGO DI DHU   *René Barbera
DOUGLAS D’ANGUS   Wayne Tigges

Rossini’s opera of 1819 is based on The Lady of the Lake by Sir Walter Scott in which a young woman, Elena, is pledged to marry one man, but loves another.  Joyce DiDonato, in the title role, performed the opera in 2010 at the Paris Opera and in 2011 at La Scala.  In La Donna del Lago, her true love, Malcolm, will be sung by mezzo- soprano Daniela Barcellona.  Born in Trieste, Ms. Barcellona is recognized as a superb interpreter of Rossini whose works she has sung throughout Europe.  She appeared with Ms. DiDonato in the Paris and La Scala productions.  The brilliant American tenor Lawrence Brownlee is Uberto, the disguised King James who also loves Elena.  He studied at Indiana University, making his Metropolitan Opera debut in 2000. Tenor René Barbera, a native of San Antonio, is Rodrigo.  In 2011 he received the top three prizes in Plácido Domingo’s Operalia Competition, the first singer to do so.   All three are making their company debuts in this new production.  Stephen Lord returns to conduct.  He led The Tales of Hoffmann in 2010.  Director Paul Curran and scenic and costume designer Kevin Knight most recently created Albert Herring in 2010.

LA TRAVIATA
Giuseppe Verdi
Sung in Italian
Last Performed by The Santa Fe Opera in 2009.  Revival.
July 20, 24, 29, August 2, 5, 10, 16, 22

 

CONDUCTOR      Frédéric Chaslin
DIRECTOR   Laurent Pelly
SCENIC DESIGNER  Chantal Thomas
COSTUME DESIGNER Laurent Pelly
LIGHTING DESIGNER    Duane Schuler
   
VIOLETTA  *Brenda Rae
ALFREDO    +*Michael Fabiano
GERMONT     *Roland Wood (American debut)
GASTONE    +Keith Jameson
DOUPHOL +* Jonathan Michie
DR. GRENVIL  Dale Travis

French director Laurent Pelly returns to Santa Fe to recreate his striking production of La Traviata with scenic designer Chantal Thomas.  Making her debut as Violetta is Brenda Rae.  The American soprano has been a member of the ensemble at Frankfurt Opera where she has sung major roles.  Her appearances in Europe include performances at National Opera of Bordeaux, Glyndebourne Festival, Bayerische Staatsoper, and Arena di Verona.  Alfredo will be sung by Michael Fabiano, a former apprentice who has been winning acclaim in this country and in Europe.  He was a grand prize winner at the 2007 Metropolitan Opera National Council Auditions and was featured in The Audition, the documentary about the competition.  He has made debuts at English National Opera, San Francisco Opera, Dresden Semperoper, Opera Cologne, Deutsche Oper Berlin, and others.  Baritone Roland Wood is a British native, having received his music education at Royal Northern College of Music and at the National Opera Studio and English National Opera where he has also performed.  He has sung with opera companies throughout Scotland, England and in Europe.  All three are making their first appearances in Santa Fe.  These performances also mark Mr. Wood’s American debut.

OSCAR
Theodore Morrison
Libretto by Theodore Morrison and John Cox
World Premiere
Commissioned and Produced by
The Santa Fe Opera and Opera Company of Philadelphia
Sung in English
July 27, 31, August 9, 12, 17

 

CONDUCTOR  Evan Rogister
DIRECTOR   Kevin Newbury
SCENIC DESIGNER   David Korins
COSTUME DESIGNER David Woolard
LIGHTING DESIGNER     Rick Fisher
CHOREOGRAPHER    Seán Curran
   
OSCAR WILDE   David Daniels
ADA LEVERSON  Heidi Stober
FRANK HARRIS  +William Burden
WALT WHITMAN  Dwayne Croft

                                                               

David Daniels is one of music’s leading countertenors whose career spans music of the Baroque era to the contemporary.  He appeared in the Company’s 2011 production of Vivaldi’s Griselda and recently in the title role of Handel’s Rinaldo at the Lyric Opera of Chicago.  He was the leading countertenor in the Metropolitan Opera’s Baroque pastiche, Enchanted Island, seen worldwide in theaters in HD.  Heidi Stober was Musetta in the 2011 revival of La Bohéme and prior, as Tigrane in Radamisto with Mr. Daniels in 2008.  She is singing the role of Zdenka in the 2012 production of Arabella.  Mr. Burden will be remembered for his sympathetic performance of Captain Vere in the 2008 production of Billy Budd.  He is appearing as the mysterious Shepherd in the 2012 production of King Roger.  Kevin Newbury last directed Life Is a Dream by Lewis Spratlan in 2010.  He will continue his collaboration with scenic designer David Korins. Evan Rogister, who has made his career primarily in Europe, is now in demand with opera companies in the U.S and returns to conduct King Roger in 2012.

http://www.santafeopera.org/thecompany/news/pressreleases/detail.aspx?id=6802

Philosophy by Limerick – Dante Disneyland

Minnie Mouse can be open-minded
And wabbits can sometimes be blinded
By synthetic passion
Of this or that fashion:
Uncle Scrooge accepts plastic! [Reminded!]

Old Jules

Philosophy by Limerick – The Talk Radio Host

The trailer-parks listens and smiles
Echo his simplistic beguiles.
While those up on Wall Street
Applauded his drumbeat
Koch Brothers just sponsored his wiles.

Old Jules

Let Big Daddy Fix It

Good morning readers.  I appreciate your visit and read.  I hope you won’t consider this frivolous.

It’s Daddy Day, and there’s a growing body of shrill opinion being expressed on the Web concerning those out-of-control nuclear reactors in Japan and how Big Daddy United States needs to step up to the plate to fix it.  Even though Big Daddy has no more clue than anyone else how to go about doing it.

First off, those reactors haven’t reached their full potential yet, so it’s probably too soon to have the Lincoln Memorial try to jump a motorcycle across them. 

Even though PT Barnham’s loose in Washington and trying to perfect that method of solving historical difficulties, jumping a motorcycle across the problem is still considered extreme, untested, uncertain, at best.

Probably it would be better to try time-tested methods first.  Some of the ways Big Daddy US has solved other pesky difficulties.  Homeland Security and attempts to deal with illegal immigration might provide a model.

Or failing that, there’s always the old airbag fix:

Anyone strangled to death by an airbag isn’t going to be worrying about mutants, teeth falling out, that sort of thing.

Sending some crews of jailbirds out to pick the fallout up before it can do any damage offers some hope.  Got lots of jailbirds and not-all-that-much radiation yet.  If the radiation increases, hell it won’t do it faster than our number of prisons.

People who never learned to program a VCR, [including me] might find radiation detection instruments confusing, so sniffer dogs trained to detect it could answer the question of where it is and where it ain’t.

Naturally they’d have to be provided facilities.

And protection from reckless drivers.

Failing that, a little magic might help.

Or just an acknowledgement there’s a problem.

If everything else fails, this worked for grandaddy and there’s no reason to think it won’t work again.

The Japanese have never been all that receptive to allowing imports from the US, but I’ll bet they’d welcome a few shiploads of those signs.  And there’s potential for a new manufacturing industry here to replace what went to Asia.

It ain’t as though there’s nothing to do in a fallout shelter.

Big Daddy’s tour d’force is entertainment.  Still is.  Never been better.

You can’t argue with a history of success.  I say, “Let’s go for it!”  What are we waiting for?

Old Jules

Discarded Jewelry

Ruidoso Steak-House
Glanced at her reflection
In the plate-glass window
New squash-blossom turquoise
Sassy Stetson
Patted 50ish blonde curls
And wished
They’d eaten at the casino
Where this didn’t happen
Wrinkled pretty nose
Don’t give him anything
He’ll just get drunk!” Stage whispered
To her Houston lady friend
As though he wasn’t there
She was right of course
Except the old man Mescalero
Was already drunk
He turned away
Then turned back and mumbled
Sing the Song of Life each day
Or when the time arrives you won’t know how
To sing the Song of Death.”

Old Jules

 

Best Quick and Dirty Movie Scenes Ever – Baggage Check

There’s a strange logic here:

Life’s full of choices of this sort but we rarely recognize them.

 

There are several of these, difficult to pick one over another:

We’ve probably all experienced this thing with a pesky fly.

 

This one’s in a class all its own

 

I still have a vivid recollection of seeing this for the first time 60 years ago and wanting to get under my seat at the theater.

 

These two scenes almost belong in the same movie.  Chilling.

 Cabaret – Tomorrow Belongs to Me – “Do you think you can control them?”

http://youtu.be/3EE_BoCw9zk

 Panzerlied (Battle of the Bulge with english intro)  “Too young!  They’re too young!”

http://youtu.be/8JDkdc246QQ

Zulu – The final attack – A brief history of the European conquest of everywhere else.  “They don’t have any tenors among them.  That’s for sure.”

It all sort of runs together:  “Tell your sweetheart not to pine, to be glad her boy’s in line.”

Yankee Doodle Dandy http://youtu.be/2R1jiVcIGcg

Patton – “At least you’ll be able to tell them you didn’t spend it shovelling shit in Louisiana.”

 

Followed by this:

Network – Mad as Hell Scene  – “I’m mad as hell and I’m not going to take it anymore!”

 

Cool Hand Luke – “I don’t care if it rains or freezes.”

 

Treasure of Sierra Madre – “Badges?  We don’t nee no stinkin badges

http://wwyoutubehttp://www.youtube.com/watch?v=CGcVhoHdRFow.youtube.com/embed/MsVi2RqE7ek

North by Northwest – Climbing the American ladder of success

 

The Alamo – “When I was a boy any girl would turn up a bunch of trees like that, cut a bunch down and one for a ridge pole and build herself a cabin alongside the other.  Seems like all anyone would ever need.”

 

The Outlaw Josie Wales parleys with 10 Bears – “Dying ain’t so hard for people like you and me.  It’s living that’s hard.  Governments don’t live here.  It’s people who live here.  I’m saying people can live here together without butchering one another.”

 

The Greatest Love Songs of all Time

How fortunate we are to live in a time when all this can be pulled together into a single post.   You didn’t put a lot of miles on the dance floor with these songs.  You stood still.

To me all these are #1 when I’m listening to them.

Maybe #1.  Pick your own performance:

Nat King Cole – Stardust

Stardust – Hoagy Carmichael – Original Version

Artie Shaw‘s Stardust

Possibly #2:

Jo Stafford – Begin the Beguine

Artie Shaw‘s Begin The Beguine

#3?

Steve Goodman : Would You Like To Learn To Dance (Live 1974)

#4?  For me this one fights for #1.

Leonard Cohen – Take This Waltz

#5?

The Inkspots – If I Didn’t Care

#6 One, or all?

Johnny Mathis – Heavenly (Original Stereo)

Johnny Mathis – Misty

# 7

Moonlight Becomes You

Count Basie

Johnny Mathis

#8

Four Aces – Stranger In Paradise

#9

The Platters – Twilight Time

#10

Vera Lynn – As Time Goes By

#11

Teach Me Tonight – Jo Stafford

12

Eartha Kitt – C’est Si Bon (Live Kaskad 1962) [French]

Eartha Kitt – C´est Si Bon

C’ EST SI BON EARTHA KITT [My favorite version though not live]

13

Julie London – Fly Me To The Moon (1964)

14

Peggy Lee – Fever

15

‘With my eyes wide open I’m dreaming’–Patti Page ‘Quartet’ (1949)

16

Lena Horne – Stormy Weather (1943)

17

Billie Holiday – The Very Thought of You

18

Sarah Vaughn The Nearness of You

19

Glen Campbell & John Hartford – Gentle On My Mind

20

Ray Charles – I Can’t Stop Lovin You

21

Nat King Cole-Unforgettable (On TV)

22

Cyd Charisse (Red Sails In The Sunset)

Patti Page – Red Sails In The Sunset

“Red Sails in the Sunset” Vera Lynn (1935)

23

Roy Fox Orchestra “Harbor Lights” (1937)

The Platters Harbor Lights

HARBOR LIGHTS – SAMMY KAYE

Harbor Lights by Guy Lombardo

24

Led Zeppelin – Whole Lotta Love (Live from How the West Was Won) Part 1
 

25

Something’s Burning-1970 Kenny Rogers and The First Edition

26

Bob Lind “Elusive Butterfly” 1966

Helicopters and Orange Jump Suits

A couple of years ago I came across a profoundly orange jumpsuit in a thrift-store clearance sale, which I picked off at a righteous price.  It’s the sort worn by students of jailhouse academies in a lot of places, so the potential was great, both as work clothing and other possibilities that came to mind and brought a smile to my face as I paid for it.

Some times of the year I get considerable low-flying air traffic over the cabin, frequently helicopters.  Scares the chickens and often has me out there craning my neck wondering what they’re up to.  Sometimes they zigzag over the area, circle, generally just burn up fuel without it being obvious whether they’re taking pictures of my workings, satisfying curiosity, or something more sinister.

But that orange jump suit’s added a whole new side to things.  Nowadays when the helicopters start flying over I stay inside until they go out of sight, slipping on the jump suit.  Then, when I hear them coming back in this direction I head over to the other side of the meadow, staying just out of the trees until they’ve had a glimpse of me.

I fake panic, run into the trees and hide, peeking out at them, pretending to try to conceal myself better while they waste more fuel trying to see what I’m doing.

It’s quite a hoot, all in all, but I count myself lucky they don’t fly around doing that much mid-summer.  I appreciate the exercise it gives me, 68 year old guy running around hiding from a helicopter, but I’m not sure my ticker would stand up to the wear and tear when it’s 100 degrees F outside.

I’ve always wondered whether the local law enforcement have gotten any calls asking whether there’s an escaped convict running around loose in the area.

Anyway, I figure it gives them a thrill, puts some adventure in their otherwise uneventful lives.  Something to talk about over the radio besides all that ‘Roger that!’ stuff.

An elderly man without a lot of means has to do whatever he can to try to help other people along this lifetime, or he’s likely to be thought a waste and freeloader if he’s drawing a SS retirement pension.

Old Jules

The Kingston Trio – Everglades
http://youtu.be/w0TtIRpG-jE

——————————–

Tuesday, September 6 edit:

If you need a few more laughs I suggest the enlightened, well-thought-out viewpoint from the helicopter:

It’s All Fun and Games Until Somebody Gets Shot

Ah, the fun to be had with an orange jumpsuit.
 Evidently they aren’t telling pilots nowadays they’re required to maintain an altitude of 500 feet above ground level, that they’re not allowed to shoot anything on private land out of an aircraft on a whim,  suspicion, or gut feel, and that killing people because they’re wearing  a particular color jump suit is homicide even if it’s done from an aircraft.
They used to tell us that kind of stuff.  Must be the education system’s slipped another notch into the shallow end of the gene pool.  Old Jules