Tag Archives: poetry

Unanimity

She was the mayor
Of course
Chief of the cops
Dog catcher
And sometimes ran
The sewer plant
Owned the bar
The grocery store
The factory
And bank.
Although the berg was small
It always seemed larger
When the yes-men
Those yes-men she served
Those little people
Saluted

Old Jules

Dragon Morning

Soft rain of star noise 
Patters on dawn 
Tin roof 
 
He listens 
Half awake 
Mind 
Slowly redefining 
Grasping 
This reality 
From the mist 
Of dreams 
 
Of spear point 
Thrusts 
Of dragons slain 
Of noble quests 
 
And virtue 
Never owned 

Old Jules

Near-extinct Spiritual Weeds Springing up on the Rez

There’s a temptation to believe we moderns living within the boundaries of the US have a lot in common with one another, and in many ways we do.  But what we have in common with one another isn’t necessarily what we believe we do.  One of those areas of commonality probably has to do with the perception of Native Americans as a somewhat generic group of people with a lot in common with one-another and far less in common with whites and Hispanics.

 This leads to a lot of packages of thinking among people not living on the Rez, whether they’re whites, second or third generation off-Rez Native Americans, Hispanics, or folks who carry a bit of tribal blood in their veins a few generations old, but never lived on the Rez.

 One of the packages contains a romanticized view that the cultural heritages on the Rez still exist, still carry some similarity to those before the coming of Europeans, and are similar to one-another.   The phrase, ‘the old ways’ has found its way into the language of those seduced into buying the package.  The “I-know-the-old-ways-too-because-my-granddad-was-a-Cherokee [or Apache, etc]” syndrome frequently found among artists, blue-eyed-blond-haired ladies in Atlanta, and in cities across the nation among those who see something wrong with modern life and hunger for a deeper spiritual life.

 The fact is, those tribes don’t have much at all in common with one another, aside from being packaged and treated as though they were similar for at least a century-and-a-half by the US Government, far longer for some in the eastern US.   Bits and pieces of the original cultures have survived on some reservations, less on some, almost none on some.  And those cultures remaining are as unlike one another as they are different from European.

But I’ve digressed.  I began this blog entry with the intention of talking about a particular cultural phenomenon re-emerging on Navajo tribal lands, strange and not easily understood by anyone including the Din’e living there.  The Skin Walker.  A person who voluntarily adopts witch-like and other behaviors that violate the most fundamental religious/spiritual forbiddings of the tribe.  The subject, even the name is such that even most Din’e have only a general  understanding of what those practices are.  But there’s no lack of agreement that Skin Walkers are a threat to everyone, a cause for revulsion, anger, fear, hatred.

 On the Pine Hill Navajo (self-determination) Rez south of Ramah Chapter there’s a place that’s come to be called, “Skin-Walker Valley” by everyone who’s willing to use the word.  Interestingly, the valley extends into an area checkerboarded with white-owned lands called Candy Kitchen.

 What’s surprising is that, while the Skin-Walker phenomenon clearly began on Din’e land, the weirdness and negativity spills over and permeates into the white community. Although some good folks, both white and Din’e, live and make out as best they can in this remote area, it’s shockingly pervaded by all manner of crime. Speed freaks and laboratories are drawn there as by a magnet.

 Violence is pandemic. As an example, a few years ago three Navajo youths tortured and killed an octogenerian white woman in her home, puncturing her skull with a screwdriver eighteen times until she died. She had nothing much worth stealing. They did it for ‘fun’.  When the lads were identified they were arrested on the Rez, where tribal authorities resisted giving them up for white justice for several days.

 Meanwhile, deep in the Rez to the north, near Pueblo Pintada, another valley is rapidly coming to be known as ‘Skin-Walker Valley’, and another at Alamo, far to the southeast.

 This phenomenon, were it discussed openly and recognized as in need of investigation, would be far easier for tribal officials to develop strategies to deal with. Open discussion would also help nearby residents and authorities off the Rez toward a clearer perspective concerning an energy and a belief system that is oozing up through the cracks of their lives, slouching across from tribal lands.

But this is getting too long and it’s time to turn out the chickens.  Maybe more later.

Edit:  7:50am

This poem was written a few years ago about an event on the minds of northwest New Mexico at the time.  The fact it happened near ‘Skin-Walker Valley’ was a cause for a lot of concern and confusion.

Last Friday Night

“It’s just too deep in the Rez
For a white-man style killing,” he says:
“A bullet each to the back of the head,
At Pueblo Pentada two brothers are dead;
Two Navajo brothers are dead.

“It isn’t a skin-walker killing;
No feud, not a woman too willing.
A knife, a club, a thirty-ought-six
Is common enough and at least doesn’t mix
White man logic with Navajo tricks:
No bullet each to the back of the head!
But at Pueblo Pentada two brothers are dead!
Two Navajo brothers are dead.”

From Bread Springs to Shiprock you’ll hear people say
“No place is safe now! You can’t get away!”
Nageezi to Yah Ta Hay
You’ll hear the Din’e people say
“The killer’s from Pie Town or Santa Fe.
Some white, somehow, somewhere must pay
For a bullet each to the back of the head!
At Pueblo Pentada two brothers are dead!
Two Navajo brothers are dead.”

Old Jules

Discarded Jewelry

Ruidoso Steak-House
Glanced at her reflection
In the plate-glass window
New squash-blossom turquoise
Sassy Stetson
Patted 50ish blonde curls
And wished
They’d eaten at the casino
Where this didn’t happen
Wrinkled pretty nose
Don’t give him anything
He’ll just get drunk!” Stage whispered
To her Houston lady friend
As though he wasn’t there
She was right of course
Except the old man Mescalero
Was already drunk
He turned away
Then turned back and mumbled
Sing the Song of Life each day
Or when the time arrives you won’t know how
To sing the Song of Death.”

Old Jules

 

The Price of Wealth

Hated Saturday nights;
Being third to
The bath-water
After Mom and Dad
But before the older kids
Felt poor;
Deprived.
He thought he was.
While down the road
His buddy, Joe Cordova
Didn’t have to feel so poor
Because the family
Didn’t have a tub.
Lucky Joe.

Old Jules

The Leaves That Were Green

Coming back from Fredericksburg yesterday I spotted this sitting in a field 100 yards off the pavement.  I felt an immediate kinship, made a U-turn to go back for a closer look.

The first new vehicle I ever owned was a 1970 F150.  Standing here looking at this one too-long left in a pasture, flat tires, dents and proud sign I flashed a brief, joyful memory of driving mine back to Austin from the dealership in Luling. 

Someone did the same with this one from some other dealership.  I wonder if he remembers the day, wonder if he’s even alive to remember some piece of geography he shared with this heap of steel, glass and rubber before me.

The young don’t know enough
About being young
They squander youth
And never know ’til later.
Any lad of twelve will testify
An eight-year-old can’t even qualify
To be a child
At eighteen our own ignorance
At fifteen is finally written
In language we comprehend:
We know the score
Reality’s the icing on the cake
Of youthful fantasies;
When the young grow old
They know a lot
About being young
But almost nothing
About being old.

But trucks know
Trucks have the dents
Worn bearings
Frayed seat-covers
Holding a thousand
Passed-gas kisses
Spilled drinks
Forgotten miles
Of those who forgot.

Old Jules

Reincarnation

Recurring dreams of life
Disturbed his slumber
Nightmares they often were
But they were dreams
Had to wait in line
Almost forever
To even get a nightmare
Ticket out
For just that tiny while
From all that somnolent
Incessant
Endless nothing
Broken now and then
By welcome
Welcome dreams;
Nightmare punctuation
In a twenty-chapter sentence
Was a blessing;
Wished he could kill himself
When he killed himself
In dreams

But never quite learned
To love the nightmares
While he dreamed them

Old Jules

 

Friday limerick and flock update

The head-count of chickens and truants
Considering sub-plot and nuance
Suggests there’s a vixen
Requiring a fixing
Or else a coyote’s influence.

Old Jules

Lost Victories

She loved bridge
He loved mostly poker;
Never understood
How his sevens-high full house
Betted to the limit
Looking at her pair
Of Aces
Turned out to be
Disaster
Crushed beneath
An Ace high full
Every time he let her
Cut the deck

Old Jules

Unrequited Hate

So you hate him.
Wish him ill.
You have a problem.
If he could only feel
The fear, the doubt, the horror;
If he could only satisfy your
Yearning
For him to feel those things
He might do it.
He might.
If he could only understand
How much it means to you
To cause him pain;
With what a flood of anguish
And venom you despise
Hunger his agony
And want to be responsible;
Want him to know,
He certainly might try.
But, he can’t.
Despair’s no longer sexy
To those who’ve seen it naked.
Fear cowers under a straight,
Steady gaze.
You’ll have to offer something
More frightful
Than your silly rage;
Your idealized terror;
Something more dismal
Than your impotent concept of
Emptiness;
Something with more substance
Than your scorn;
Something more somber than you
Think death is
To make him care.
Life will hand him defeats
His days will serve up
A ration of pain
He’ll deal with them as he must
And always know those blows
Aren’t yours.
They’re just life.

Old Jules