Category Archives: America

New Mexico Farmer Nomads Circuit Community

Hi readers.  I posted this on the Intentional Communities website.  http://www.ic.org/

http://directory.ic.org/24101/New_Mexico_Farmer_Nomads_Circuit_Community

Figured I’d run it up on the flagpole and see if anyone salutes:

New Mexico Farmer Nomads Circuit Community

New Mexico Public Lands, New Mexico
 Proposed [forming]migratory community to occupy BLM and National Forest lands with water available capable of growing food crops. Members would occupy each site and tend gardens 14 days maximum to stay within BLM and USFS regulations, then rotate to another community site at least 25 miles away, replacing another rotatee[s] who’s been tending the garden there.
 
No permanent structures are allowed on these multi-use BLM or USFS public lands, though if, say, a mining claim is filed [a cheap, easy means of establishing certain legitimate, defined rights of occupation], a storage for ‘tools’ building is allowed.
 
Members will need to be willing to live in tents, RVs, campers, or converted school bus shelters while occupying the sites.
 
The only reason ‘community’ is an issue is to assure crops get planted and tended at each site through the growing season, and because of the 14 day occupation limit per site.
 
Some rules regarding wood cutting, site cleanup and maintenance, and waste disposal will be needed, along with a rotation schedule for each member unit.
 
My thought is that if there’s sufficient interest in this alternative lifestyle it should begin before spring planting, 2013.
 

You just never can tell until you try, I figures.

Old Jules

Who’ll Be First? Mac?

Good morning readers.  Thanks for coming by for a read this morning.

Seems to me the hamburger joints almost certainly have Chinese entrepreneurs on tap this very moment designing 56 collectible toy Tibetan dolls that set fire to themselves.

Here’s hoping the program doesn’t give any ideas to the people working in back over the grilles flipping burger patties who used to have jobs that went to China.

Old Jules

Silky Rooster’s Been Raptured Out

I told you that silky rooster was intelligent, but I thought he’d outsmarted himself by getting loose and left behind here.  All those hens he came up with as a chick, the surviving rooster.  Kay’s hens and rooster.  All now joined with a free ranging flock somewhere else.

And he was sorely depressed being alone here.

But he must have known faith would see him through.  A lady down the road with 17 hens and no roosters emailed me after I listed him on Kerrville FreeCycle.  We arranged to meet yesterday at a pullover midway between her and me.

“What a beautiful rooster!”  He preened.

What’s his name?”

I’ve never given him a name.”  She scowled and stroked him.

I always name my chickens.”  Attractive pucker.

To which Mr. NoName Silky replied, “I’ve been to the wild wood, mither.  Mak my bed soon.”

All’s well that ends well.

Old Jules

The Virtue of Selfishness, by Ayn Rand

Good morning readers.  Thanks for coming by for a read this morning.

I’ve said a few things about Ayn Rand on this blog a number of readers found objectionable.  A goodly number found it offensive enough to cancel subscriptions, which I don’t find objectionable at all.

Fact is, I was once an avid reader of Ayn Rand.  Not being a reader of Ayn Rand was a way a person could declare himself a non-pseudo-intellectual, which of course, I certainly didn’t wish to be.  At the time, admitting to the shameful fact of not having read Atlas Shrugged, or Fountainhead, reduced the stature of the person admitting it to something akin to not having seen Gone With The Wind.

In all honesty I found Rand’s fiction tedious, with the exception of Anthem, which nobody’d ever heard of [few Rand admirers probably have to this day] and didn’t win any intellectual points in the 1960s.  So when I came across The Virtue of Selfishness, in 1965, I welcomed the read because I thought it could provide discussable insights into Rand’s viewpoints while sparing the reader all the muscle-flexing fictional heroes.

Which it did.  And having read it I quickly ceased being an admirer of Rand, to whatever extent I might have been previously. 

I suspect those who read, or claim to have read Ayn Rand today probably derive opinions about her, and her work, from the fiction works and admiration for the fictional characters.  The gut-level response to Horatio Algerism with a bit of Paul Bunyan thrown in. 

But the appeal of Rand at the time was located in fictional characters.  The Virtue of Selfishness quickly was to be found on the reduced price shelves at the book stores.  Because, the simple fact is that nobody loves an ego-maniac.  Nobody loves a selfish, grasping, gluttonous, greedy person when the fictional fantasies are stripped away.

And giving it a fancy name, objectivism, rationalizing the state-of-being that goes with it, just doesn’t add anything to the equation.  There might never have been a culture in the history of mankind where greed was openly, admittedly, frankly, an object of admiration.  In fact, the opposite is mostly true.

So today when Rand admirers are justifying their world-views by using her tepid arguments in favor of devil-take-the-hindmost, they rarely use the name of her tour d’force work, where she attempts to explain herself.  They know somewhere inside themselves it’s off-putting to the listener.

So the buzzwords are used, instead.  Short phrases bounced around back and forth that needn’t be defended.

Nobody needs Ayn Rand to justify selfishness and self-centeredness, but she provides an excuse, however lame.

Old Jules

Edit 8:12 am – There’s a mysterious, paradoxical side of the 21st Century fascination with Rand I neglected to mention.  Today admiration for Rand is the unlikely and somewhat ironic focal point where fundamentalist Christians join hands with atheists.  Both quote snippets of Rand, claim to have read her.

All of which makes a certain amount of sense for atheists of a particular sort.  But it’s not easy to reconcile with Christianity.  After all, lust, gluttony, greed, sloth, anger, envy and pride have been universally accepted as the Seven Deadly, or Venal, or Mortal Sins since a time long before Protestants.  And I don’t recall any Protestant sect ever declaring openly to repudiate them.

Trip West Photos from Jeanne

Crater Lake was a new discovery for me this trip. I took hundreds of pictures there. Heck, have one more:
That’s Wizard Island, the secondary cone. Crater Lake is about six miles across and 2,000 feet deep.
Aw, shucks, here’s one more, ’cause you’ve got to see the Phantom Ship:

Now to the Willamette National Forest. Here’s the view coming in towards the resort town of Detroit:

Below is where I like to hike around Devil’s Creek:

Forest floor.


My family has been going to Mt. Rainier since the 1920’s.

Mt. Rainier the first evening at sunset.

Clear weather is not always a given at the mountain, which makes its own weather!

I love bracket fungus and the dew drops caught my attention.

This lake can be seen by the road if you travel towards Sunrise (east) at Mt. Rainier. I’ll put pictures up of the view at Sunrise some other time.

This great view of Myrtle Falls is only a 7 minute walk from the parking lot at Paradise.

Narada Falls is too big to fit into any camera view, so I just put it in the background for this shot.


Evening sun on the mountain.

I hope you enjoy these, it’s hard to choose favorites from 2600 photos! I’ll put more up some other time if you like.

Jeanne

Philosophy by Limerick – The Intestinal Parasite

Two political parties, or thrice,
Patricians are fatter than lice.
When bones are scraped narrow
They’ll suck out the marrow,
Turn knuckle-bones into dice.

Old Jules

Philosophy by Limerick – Divining the Future – The Oracle

An absurd, grotesque dis-assembly
Will waltz across Florida nimbly:
Plebes and Patricians
And news statisticians
Will celebrate parodies grimly.

Old Jules

The TimeWarpVille Enigma

Good morning readers.  Thanks for coming by for a read this morning.

1919 American Legion Post – Now Kimble County Historical Society Museum

I’ve poked a little fun at Junction, Texas.  Partly because they were there, I was there, and it’s an easy target, standing still gazing into the headlights.  But the stark reality is the people of Junction aren’t significantly different from you, me, and all the people living around us.  They’re trying to scratch out a living in a country that’s caving in around them, trying to hang on to what hasn’t caved in yet.

Trying to find something that works by throwing grappling hooks into things that worked in the past.  And when they see it’s not working, blaming the failures on people who are trying to reconstruct different things from somewhere else in the past.

That $3.50 per gallon gasoline sign is a disaster in rural Texas where the nearest somewhat large town’s a $20-$30 round trip.  Same as everywhere else in the western US.  It means the price of having groceries delivered to stores in town will skyrocket over time, and driving to the larger stores in larger towns will skyrocket alongside what’s happening locally.

Aside from some agriculture, nobody in Junction, Texas, is manufacturing anything anyone wants to buy locally, anyone would want to buy elsewhere in the US, or overseas.  Same as where you are, only in Junction it’s more obvious. 

But their toasters, microwave ovens, automobile parts, refrigerators and computers are manufactured in Asia, same as yours.  There’s nobody in town can repair most of them when they fail without obtaining parts manufactured in Asia.

So they fantasize about seceding.  Pretending they could go back to the independence of the past.  Pretending that would bring back ways to make an honest living.  Celebrating their tough, Comanche fighting, Confederate ancestors, pretending they have something in common with them.

While on the other hand, they try to imagine they have something in common with people a decade ago who died when an airplane crashed into a building a quarter-mile high.  Grasping for some abstraction of solidarity with the people there, some anchor that pretending they remember those people might provide to help them deal with a world collapsing around them.

In a real sense, they do have something in common with those 9/11 dead, beyond them all being human beings.  The people who jumped out of those towers weren’t manufacturing anything anyone would want, either.  If they were living today they’d be paying big bucks for gasoline, groceries, toasters, manufactured somewhere else, too.

But there’s nothing else meaningful those unfortunate people in New York could have to say to people in Junction, Texas.  If asked, I suppose they might suggest, “Build higher buildings.”

The road from Main Street to the graveyard is easier to follow in Junction, but nothing else is less complicated than anywhere else.

Old Jules

The Opera Ticket, The Backpack and The Feline Asylum

Hi readers.  Thanks for coming by for a read this morning.

Elroyjones and others who’ve asked for pics,  I don’t have this miracle out here yet so I can’t provide you pics at the moment of that specific one.  But the cool thing about living in the 21s Century is a person can meet himself coming the other direction down the road he’s going on.

Someone on Craigslist is selling one so much like it I had to look twice to make sure it wasn’t the same backpack.  http://sandiego.craigslist.org/csd/rvs/3189851591.html

image 0

image 1

A couple of things are different, but generally the same animal.  The Craigslist one’s 21′ and the Opera Ticket’s 18′, I’m thinking.  Same model, same engine, interior design somewhat different – this guy claims 18 mpg on the road.  The one I’m getting has a generator mounted below on this side, while this one doesn’t.

But the Feline Asylum’s got 76,000 miles on the 22R engine, sat up a decade after the man owned it was killed in a plane crash.  Then another man bought it, worked on a lot of it for five years, put a new set of tires on it, and before he was finished decided he has to move to Arkansas.  It has a few things to be done before it’s ready to head off looking at operas.

I’ll be back and forth this week getting things arranged while the cats chew their toenails and stomp around complaining.

Old Jules

Hot Diggety Damn – Join Me for One of These Next Year! Let’s Party!

2013 SANTA FE OPERA SEASON ANNOUNCED

WORLD PREMIERE OF OSCAR BY THEODORE MORRISON
Co-Commissioned and Co-Produced by The Santa Fe Opera and Opera Company of Philadelphia.
Featuring David Daniels in the title role.

 FIRST SANTA FE OPERA PERFORMANCES OF ROSSINI’S LA DONNA DEL LAGO
Featuring Joyce DiDonato in the title role.

 RETURN OF OFFENBACH’S THE GRAND DUCHESS OF GEROLSTEIN
First performances since 1979. New Production.
Featuring Susan Graham in the title role. 

TWO POPULAR REVIVALS
Mozart, The Marriage of Figaro from 2008. 
Verdi, La Traviata from 2009.
In honor of the 200th anniversary of the composer’s birth.

TWO SPECIAL CONCERTS

 SUNDAY, AUGUST 4, 4:00 PM
Venue to be Announced
In honor of the 200th anniversary of the birth of Richard Wagner
and the 100th anniversary of the birth of Benjamin Britten.
Richard Wagner, Wesendonck Lieder
Original version for voice and piano
Benjamin Britten, Cabaret Songs
Christine Brewer, Soprano
Frédéric Chaslin, Piano
Liszt, Wagner Transcriptions
Frédéric Chaslin, Piano

SUNDAY, AUGUST 18, 2013, 4:00 PM
STRAVINSKY COMMEMORATION
Basilica Cathedral of Saint Francis of Assisi
Stravinsky: Mass
Monteverdi: Vespers (selections)
A recreation of the concert Igor Stravinsky himself conducted on this date fifty years ago in his last appearance in Santa Fe.   That historic concert will be recreated by members of The Santa Fe Opera Apprentice Program and the Santa Fe Opera Orchestra led by Chief Conductor Frédéric Chaslin. 

THE GRAND DUCHESS OF GEROLSTEIN
Jacques Offenbach
Last performed by The Santa Fe Opera in 1979.  New Production.
Sung in French
With English Dialogue
June 28, July 3, 6, 12, 19, 30, August 7, 15, 21, 24

 

CONDUCTOR   Frédéric Chaslin
DIRECTOR     Lee Blakeley
SCENIC DESIGNER *Adrian Linford
COSTUME DESIGNER    *Jo van Schuppen
LIGHTING DESIGNER   Rick Fisher
CHOREOGRAPHER       Peggy Hickey
   
GRAND DUCHESS   Susan Graham
WANDA +*Anya Matanovič
FRITZ *Paul Appleby
BARON PUCK +Aaron Pegram
PRINCE PAUL  +Jonathan Michie
GENERAL BOUM  Kevin Burdette

 

Santa Fe Opera audiences in the 1970s loved this grande opera bouffe, and it was presented no less than four times in a decade.  Mr. MacKay decided it was time to bring it back.  The Grand Duchess, a young woman raised by tutors, is a tyrant, and the opera revolves around the complications of her love life.  Susan Graham, one of the world’s leading dramatic mezzo-sopranos, has a virtuoso comic side which will be remembered from the 2003 performance of another Offenbach gem, La Belle Hélène.  The object of her affections is a young officer, Fritz, sung by Paul Appleby in his debut.  Mr. Appleby was a national winner of the 2009 Metropolitan Opera National Council Auditions, a career grantee from the Richard Tucker Foundation in 2011, and recently, the recipient of the 2012 Martin E. Segal Award. He performs extensively with pianist Steven Blier and the New York Festival of Song.  The object of Fritz’s affection, Wanda, is sung by Anya Matanovič, also making her debut. The cast also includes Kevin Burdette, remembered as Kitty’s father in the 2011 production of The Last Savage.  Making their debuts are scenic designer Adrian Linford and costume designer Jo van Schuppen.  Both have worked with director Lee Blakely, who is returning to Santa Fe for the 2012 production of The Pearl Fishers.  Chief Conductor Frédéric Chaslin will conduct.

 

THE MARRIAGE OF FIGARO
Wolfgang Amadeus Mozart
Sung in Italian
Last performed by The Santa Fe Opera in 2008.  Revival.
June 29, July 5, 10, August 3, 8, 13, 20, 23

 

CONDUCTOR      John Nelson
DIRECTOR   Bruce Donnell
SCENIC & COSTUME DESIGNER  Paul Brown
LIGHTING DESIGNER     Duane Schuler
PRODUCTION Jonathan Kent
   
FIGARO   TBA
SUSANNA   *Lisette Oropesa
COUNTESS ALMAVIVA +Susanna Phillips
CHERUBINO       *+Emily Fons
MARCELLINA   Susanne Mentzer
BASILIO      +Keith Jameson
COUNT ALMAVIVA      Daniel Okulitch
DOCTOR BARTOLO  Dale Travis

 

The American soprano Lisette Oropesa will make her company debut as Susanna.  Ms. Oropesa, a former member of the Lindemann Young Artist Development Program at the Metropolitan Opera, has appeared in a number of operas there including Das Rheingold and Siegfried.  Most recently she appeared in the Met’s production of The Enchanted Island.  The Countess and Count will be sung by Susanna Phillips and Daniel Okulitch, who was last seen in 2011 as the Last Savage in the opera of the same name.  Ms. Phillips has been singing leading roles both in this country and abroad, including the Metropolitan Opera.  Emily Fons, an apprentice in 2008 and 2009, is Cherubino.  The distinguished conductor John Nelson, who has appeared with orchestras and ensembles in this country and in Europe, led the Company’s 1997 production of Semele.  Director Bruce Donnell will recreate the original production by Jonathan Kent.  He has directed extensively at the Metropolitan Opera including a tour to Japan, and with opera companies in Europe, Canada and South America.  He has directed a number of productions for The Santa Fe Opera, most recently Salome in 2006.

LA DONNA DEL LAGO
Gioachino Rossini
First performances by The Santa Fe Opera.  New Production.
Sung in Italian
July 13, 17, 26, August 1, 6, 14

 

CONDUCTOR   Stephen Lord
DIRECTOR   Paul Curran
SCENIC & COSTUME DESIGNER  Kevin Knight
LIGHTING DESIGNER  Duane Schuler
   
ELENA  +Joyce DiDonato
MALCOLM GROEME     *Daniela Barcellona
UBERTO   *Lawrence Brownlee
RODRIGO DI DHU   *René Barbera
DOUGLAS D’ANGUS   Wayne Tigges

Rossini’s opera of 1819 is based on The Lady of the Lake by Sir Walter Scott in which a young woman, Elena, is pledged to marry one man, but loves another.  Joyce DiDonato, in the title role, performed the opera in 2010 at the Paris Opera and in 2011 at La Scala.  In La Donna del Lago, her true love, Malcolm, will be sung by mezzo- soprano Daniela Barcellona.  Born in Trieste, Ms. Barcellona is recognized as a superb interpreter of Rossini whose works she has sung throughout Europe.  She appeared with Ms. DiDonato in the Paris and La Scala productions.  The brilliant American tenor Lawrence Brownlee is Uberto, the disguised King James who also loves Elena.  He studied at Indiana University, making his Metropolitan Opera debut in 2000. Tenor René Barbera, a native of San Antonio, is Rodrigo.  In 2011 he received the top three prizes in Plácido Domingo’s Operalia Competition, the first singer to do so.   All three are making their company debuts in this new production.  Stephen Lord returns to conduct.  He led The Tales of Hoffmann in 2010.  Director Paul Curran and scenic and costume designer Kevin Knight most recently created Albert Herring in 2010.

LA TRAVIATA
Giuseppe Verdi
Sung in Italian
Last Performed by The Santa Fe Opera in 2009.  Revival.
July 20, 24, 29, August 2, 5, 10, 16, 22

 

CONDUCTOR      Frédéric Chaslin
DIRECTOR   Laurent Pelly
SCENIC DESIGNER  Chantal Thomas
COSTUME DESIGNER Laurent Pelly
LIGHTING DESIGNER    Duane Schuler
   
VIOLETTA  *Brenda Rae
ALFREDO    +*Michael Fabiano
GERMONT     *Roland Wood (American debut)
GASTONE    +Keith Jameson
DOUPHOL +* Jonathan Michie
DR. GRENVIL  Dale Travis

French director Laurent Pelly returns to Santa Fe to recreate his striking production of La Traviata with scenic designer Chantal Thomas.  Making her debut as Violetta is Brenda Rae.  The American soprano has been a member of the ensemble at Frankfurt Opera where she has sung major roles.  Her appearances in Europe include performances at National Opera of Bordeaux, Glyndebourne Festival, Bayerische Staatsoper, and Arena di Verona.  Alfredo will be sung by Michael Fabiano, a former apprentice who has been winning acclaim in this country and in Europe.  He was a grand prize winner at the 2007 Metropolitan Opera National Council Auditions and was featured in The Audition, the documentary about the competition.  He has made debuts at English National Opera, San Francisco Opera, Dresden Semperoper, Opera Cologne, Deutsche Oper Berlin, and others.  Baritone Roland Wood is a British native, having received his music education at Royal Northern College of Music and at the National Opera Studio and English National Opera where he has also performed.  He has sung with opera companies throughout Scotland, England and in Europe.  All three are making their first appearances in Santa Fe.  These performances also mark Mr. Wood’s American debut.

OSCAR
Theodore Morrison
Libretto by Theodore Morrison and John Cox
World Premiere
Commissioned and Produced by
The Santa Fe Opera and Opera Company of Philadelphia
Sung in English
July 27, 31, August 9, 12, 17

 

CONDUCTOR  Evan Rogister
DIRECTOR   Kevin Newbury
SCENIC DESIGNER   David Korins
COSTUME DESIGNER David Woolard
LIGHTING DESIGNER     Rick Fisher
CHOREOGRAPHER    Seán Curran
   
OSCAR WILDE   David Daniels
ADA LEVERSON  Heidi Stober
FRANK HARRIS  +William Burden
WALT WHITMAN  Dwayne Croft

                                                               

David Daniels is one of music’s leading countertenors whose career spans music of the Baroque era to the contemporary.  He appeared in the Company’s 2011 production of Vivaldi’s Griselda and recently in the title role of Handel’s Rinaldo at the Lyric Opera of Chicago.  He was the leading countertenor in the Metropolitan Opera’s Baroque pastiche, Enchanted Island, seen worldwide in theaters in HD.  Heidi Stober was Musetta in the 2011 revival of La Bohéme and prior, as Tigrane in Radamisto with Mr. Daniels in 2008.  She is singing the role of Zdenka in the 2012 production of Arabella.  Mr. Burden will be remembered for his sympathetic performance of Captain Vere in the 2008 production of Billy Budd.  He is appearing as the mysterious Shepherd in the 2012 production of King Roger.  Kevin Newbury last directed Life Is a Dream by Lewis Spratlan in 2010.  He will continue his collaboration with scenic designer David Korins. Evan Rogister, who has made his career primarily in Europe, is now in demand with opera companies in the U.S and returns to conduct King Roger in 2012.

http://www.santafeopera.org/thecompany/news/pressreleases/detail.aspx?id=6802